"Fair Albion" by Patrick Hawes, Prague Symphony Orchestra had its release date on November 1, 2009. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 15 in Fair Albion: Visions Of England by Patrick Hawes, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Fair Albion is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fair Albion by Patrick Hawes, Prague Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bailero (Chants d'Auvergne, 1st series, no.2) | Joseph Canteloube, Kate Royal, Edward Gardner, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 81 BPM | ||
| Mors et Vita: Judex | Charles Gounod, Richard Hickox Orchestra, Richard Hickox | C Minor | 1 | 5A | 95 BPM | ||
| Piano Concerto in G Minor, Op. 33: II. Andante sostenuto | Antonin Dvorák, Sviatoslav Richter, Václav Smetáček, Prague Symphony Orchestra | G Major | 3 | 9B | 115 BPM | ||
| Requiem: Agnus Dei | Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver | G Major | 0 | 9B | 89 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Emerald and Stone (Arr. Lawson) | Brian Eno, Jon Hopkins, Leo Abrahams, Jess Gillam, Jess Gillam Ensemble | D Major | 0 | 10B | 73 BPM | ||
| Slavonic Dances, Series I., Op. 46, B. 83: III. in A flat major. Poco allegro | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
| Sibelius: Karelia Suite, Op. 11: II. Ballade | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
| A Severn Rhapsody, Op. 3 | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | C Minor | 0 | 5A | 62 BPM | ||
| Chanson de Matin, Op. 15 No. 2 (Version for Orchestra) | Edward Elgar, New Zealand Symphony Orchestra, James Judd | G Major | 1 | 9B | 141 BPM | ||
| Générique de fin | Gabriel Yared | D Major | 1 | 10B | 173 BPM | ||
| Song of Innocence | Patrick Hawes | D Minor | 0 | 7A | 76 BPM | ||
| Impromptu No. 3 in G-Flat Major, Op. 90, D 899 (Excerpt) | George Fenton | F♯ Major | 0 | 2B | 65 BPM | ||
| The Lovers - From "The Painted Veil" Original Soundtrack | Alexandre Desplat, Lang Lang, Prague Symphony Orchestra | E♭ Minor | 0 | 2A | 79 BPM | ||
| Romance, Op. 11 | Gerald Finzi, London Philharmonic Orchestra, Sir Adrian Boult | A♭ Major | 1 | 4B | 82 BPM | ||
| Mr. Chambers | John Lunn | F Major | 3 | 7B | 78 BPM | ||
| Together | BBC Scottish Symphony Orchestra | F Major | 1 | 7B | 84 BPM | ||
| Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | ||
| Cavalleria rusticana: Intermezzo (Arr. Holt) | Pietro Mascagni, Nicola Benedetti, Benedetti Foundation Orchestra, Natalia Luis-Bassa | F Major | 2 | 7B | 180 BPM | ||
| The Cider House (From "The Cider House Rules" Score) | Rachel Portman, John Lenehan, David Snell | C Major | 1 | 8B | 88 BPM | ||
| Velký přelom. Symphonie for Orchestra, Op. 18: III. Vivacissimo. Poco allegro | Ctirad Kohoutek, Prague Symphony Orchestra, Ladislav Slovák | G Major | 3 | 9B | 122 BPM | ||
| Riverdance, A Symphonic Suite: XI. Cloudsong, Riverdance | Bill Whelan, RTÉ National Symphony Orchestra, David Brophy | E Minor | 3 | 9A | 73 BPM | ||
| Where the Rainbow Ends Suite (version for orchestra): No. 1a Rainbow Land | Roger Quilter, Slovak Radio Symphony Orchestra, Adrian Leaper | A Major | 0 | 11B | 69 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: V. Adagio | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | B♭ Major | 0 | 6B | 115 BPM | ||
| Walter's Mission | Alexandre Desplat, Lang Lang, Vincent Ségal, Prague Symphony Orchestra | D♭ Major | 1 | 3B | 124 BPM |