"Pétrouchka - Burlesque in four scenes for Orchestra (1947 version): Scene I: La Cabine du Charlatan" by Igor Stravinsky, Leonard Bernstein, New York Philharmonic had its release date on 1947. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Pétrouchka - Burlesque in four scenes for Orchestra (1947 version): Scene I: La Cabine du Charlatan's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 102 in Bernstein Conducts Stravinsky by Igor Stravinsky, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Pétrouchka - Burlesque in four scenes for Orchestra (1947 version): Scene I: La Cabine du Charlatan is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pétrouchka - Burlesque in four scenes for Orchestra (1947 version): Scene I: La Cabine du Charlatan by Igor Stravinsky, Leonard Bernstein, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
| Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
| Miške, MKČ 101: I. Exposition, Main Theme. Lento assai | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Symphony in D Minor, FWV 48 (Remastered): III. Finale - Allegro non troppo | César Franck, Pierre Monteux, Chicago Symphony Orchestra | D Major | 2 | 10B | 84 BPM | ||
| String Quartet No. 8 in C Minor, Op. 110: I. Largo | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM | ||
| Also sprach Zarathustra, Op. 30: V. Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 86 BPM | ||
| Ma mère l'oye, M. 62: II. Pavane de la Belle au bois dormant.Lent - Allegro - Mouvement de Valse modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | E Minor | 0 | 9A | 63 BPM | ||
| Also sprach Zarathustra, Op. 30: VIII. Das Tanzlied – Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 86 BPM | ||
| Prince Igor: Polovtsian Dances (Remastered): No. 8, Dance of the Polovtsian Maidens | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 99 BPM | ||
| Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
| The Firebird, K10: XIX. The Palace Disappears and Kashchei's Spells Are Broken, The Stone Knights Return to Life – General Rejoicing | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | B Major | 2 | 1B | 82 BPM | ||
| Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": II. Melankolia (Melancholy) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | E Minor | 0 | 9A | 78 BPM | ||
| Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| Nocturnes, CD 98: II. Fêtes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 79 BPM | ||
| Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
| Ballade in A minor, Op. 33 | Samuel Coleridge-Taylor, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn | A Minor | 1 | 8A | 82 BPM | ||
| Piano Concerto No. 1 in C Minor, Op. 35: I. Allegro moderato | Dmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A♭ Major | 3 | 4B | 142 BPM | ||
| Tristan und Isolde, Act I: Prelude | Richard Wagner, Staatskapelle Dresden, Carlos Kleiber | A Major | 1 | 11B | 82 BPM | ||
| Symphony No. 1 in D Major: 2. Kräftig bewegt - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | A Major | 1 | 11B | 96 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | F Minor | 0 | 4A | 100 BPM | ||
| Roman Festivals: I. Circenses | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli, Johannes Geffert | D♭ Major | 1 | 3B | 135 BPM | ||
| Symphony No. 3 in F Major, Op. 90: I. Allegro con brio | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | G Minor | 1 | 6A | 151 BPM | ||
| The Planets, Op. 32: 3. Mercury, the Winged Messenger | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 108 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM |