On November 19, 2016, the song "Brasil" was released by Ray Conniff. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ray Conniff's "Maravillas Orquestales" album is number 2 out of 20. On top of that, Spain appears to be the country where this track was created. Based on our statistics, Brasil's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Brasil by Ray Conniff to be Allegro (fast, quick, and bright) because the track has a tempo of 155 BPM, a half-time of 78BPM, and a double-time of 310 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Se Busca | Bodas y 15 Años | A Minor | 5 | 8A | 113 BPM | ||
| Alma Llanera | Manuel Olivera Almada | E Major | 5 | 12B | 127 BPM | ||
| La Paloma | Richard Abel | C Major | 5 | 8B | 111 BPM | ||
| Al Sur de la Frontera (South of the Border) | Pablo Beltran Ruiz Y Su Orquesta | A♭ Major | 7 | 4B | 134 BPM | ||
| Mexicano - Remasterizado | Luis Cobos, Chucho Monge, Chucho Palacios, Ernesto Cortazar, Francisco López, Marcos Augusto Jiménes Sotelo, Quirino Mendoza y Cortés, Ruben Fuentes Gasson, Traditional | C Major | 6 | 8B | 132 BPM | ||
| Maria Elena / La Violetera | Bob Fleming | C Minor | 5 | 5A | 115 BPM | ||
| The Last Round-Up | Cliffie Stone | C Major | 5 | 8B | 126 BPM | ||
| Las Hojas Muertas | Sergio Golwarz | E Minor | 5 | 9A | 133 BPM | ||
| California Dreamin' | Ronnie Aldrich | A Minor | 3 | 8A | 123 BPM | ||
| New York, New York | Pop Strings Orchestra | D Major | 6 | 10B | 109 BPM | ||
| Harlem Español | Manuel Rodríguez y Orquesta | E Major | 4 | 12B | 113 BPM | ||
| Una Probada de Miel | Johnny Days Orchestra | C Minor | 4 | 5A | 88 BPM | ||
| Tango: 34 Takte Pro Minute -Tango Isabel | Kurt Edelhagen | C Major | 4 | 8B | 133 BPM | ||
| Under Paris Skies | The Paris Musette | F Minor | 2 | 4A | 167 BPM | ||
| El Golpe | Orquesta Romántica de La Habana | D♭ Major | 3 | 3B | 157 BPM | ||
| La Violetera | Cuerdas y Metales | C Minor | 3 | 5A | 118 BPM | ||
| Brasil | Ray Conniff | A Major | 6 | 11B | 155 BPM | ||
| Emmanuelle | Saxo | C Minor | 2 | 5A | 122 BPM | ||
| Volare | Tony Mottola | C Major | 5 | 8B | 126 BPM | ||
| Non Dimenticar | Cuerdas y Metales | B♭ Major | 3 | 6B | 105 BPM | ||
| Memory | Jean Claude Borelly | A♭ Major | 3 | 4B | 87 BPM | ||
| Lo Que el Viento Se Llevó (Tara's Theme) | Sounds Unlimited Orchestra & The London Philarmonic Orchestra | A♭ Major | 3 | 4B | 92 BPM | ||
| El bueno, el malo y el feo | Orquesta Instrumental Latinoamericana | F Minor | 4 | 4A | 122 BPM | ||
| Moliendo Café | Ramon Marquez | A Minor | 7 | 8A | 142 BPM | ||
| El Condor Pasa (If I Could) | The Ray Conniff Singers | D Minor | 5 | 7A | 89 BPM |