- BPM
- 109
- Key
- F♯ Major
- Camelot
- 2B
Rameau: Les Fêtes de l'Hymen et de l'Amour, RCT 38 (1748 Version), Act 3 Scene 3: Ariette, "L'amant que j'adore allait former" (Une Bergère égyptienne) by Jean-Philippe Rameau, Patricia Petibon, Les Folies Françoises, Patrick Cohën-Akenine Song Details
Jean-Philippe Rameau, Patricia Petibon, Les Folies Françoises, Patrick Cohën-Akenine's 'Rameau: Les Fêtes de l'Hymen et de l'Amour, RCT 38 (1748 Version), Act 3 Scene 3: Ariette, "L'amant que j'adore allait former" (Une Bergère égyptienne)' had a release date set for November 1, 2001. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 13 in French Baroque Arias by Patricia Petibon. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Rameau: Les Fêtes de l'Hymen et de l'Amour, RCT 38 (1748 Version), Act 3 Scene 3: Ariette, "L'amant que j'adore allait former" (Une Bergère égyptienne) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Rameau: Les Fêtes de l'Hymen et de l'Amour, RCT 38 (1748 Version), Act 3 Scene 3: Ariette, "L'amant que j'adore allait former" (Une Bergère égyptienne) by Jean-Philippe Rameau, Patricia Petibon, Les Folies Françoises, Patrick Cohën-Akenine is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -20.315 dB
- Acousticness
- 98%
- Danceability
- 32%
- Energy
- 6%
- Instrumentalness
- 0%
- Liveness
- 19%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 27%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Les Indes galantes, Prologue, Scène 3: "La Gloire vous appelle" (Bellone, Hébé et sa suite) | Jean-Philippe Rameau, Jérôme Corréas, Les Arts Florissants, William Christie | D♭ Major | 2 | 3B | 81 BPM | |
 | Ach bleib bei uns, Herr Jesu Christ | Johann Michael Bach, Vox Luminis, Lionel Meunier, Zsuzsi Tóth, Daniel Elgersma, Philippe Froeliger | B♭ Major | 1 | 6B | 77 BPM | |
 | L'Olimpiade, RV 725, Act I Scene 8: Aria. Mentre dormi, Amor fomenti (Licida) | Antonio Vivaldi, Bejun Mehta, Innsbrucker Festwochenorchester, Alessandro De Marchi | F Minor | 0 | 4A | 66 BPM | |
 | Stabat Mater: 8. Fac ut ardeat | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Minor | 3 | 11A | 83 BPM | |
 | Membra Jesu nostri, BuxWV 75: Ic. Ad pedes: Clavos pedum, plagas duras | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | |
 | Infirmata, vulnerata: I. Infirmata, vulnerata | Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | |
 | Johnson: Woods, Rocks and Mountains | Robert Johnson, Emma Kirkby, Anthony Rooley | F Minor | 1 | 4A | 73 BPM | |
 | VII. Dieses war auch das Verlangen | Georg Philipp Telemann, Hanna Herfurtner, Kölner Akademie, Michael Alexander Willens | E Major | 1 | 12B | 102 BPM | |
 | Dido and Aeneas, Z. 626, Act II: No. 13, Prelude for the Witches – Wayward Sisters | Henry Purcell, David Thomas, Elisabeth Priday, Academy of Ancient Music, Christopher Hogwood | E Major | 2 | 12B | 122 BPM | |
 | Venite videte | Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Hespèrion XX | G Major | 1 | 9B | 99 BPM | |
 | Les Indes galantes, RCT 44, Prologue, Scène 5: Air pour les amants qui suivent Bellone - "Vous nous abandonnez" (Chœur) | Jean-Philippe Rameau, Les Arts Florissants, William Christie | D♭ Major | 0 | 3B | 84 BPM | |
| Stabat mater: VIII. Vidit suum dulcem natum | Alessandro Scarlatti, Emmanuelle De Negri, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | |
 | Rameau: Les Indes Galantes: "Viens, Hymen" (Phani) | Jean-Philippe Rameau, Alexis Kossenko, Les Ambassadeurs | F♯ Major | 0 | 2B | 86 BPM | |
 | Charpentier: Rentrez, trop indiscrets soupirs, H. 464 | Marc-Antoine Charpentier, Les Arts Florissants, William Christie, Adèle Eikenes | A♭ Minor | 0 | 1A | 178 BPM | |
| Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Major | 1 | 2B | 63 BPM | |
 | Madrigali, Op. 1, Book I: No. 18, Al battitor di bronzo della sua crudellissima dama "Quante volte ti bacio, o bronzo amato" | Barbara Strozzi, Dorothee Mields, Hana Blaziková, Hathor Consort, Romina Lischka | F♯ Major | 1 | 2B | 106 BPM | |
 | Clemens non Papa: Frais et gaillart | Jacob Clemens non Papa, Michel Corboz, Ensemble Vocal de Lausanne | D♭ Major | 2 | 3B | 128 BPM | |
 | Hasse: Serpentes ignei in deserto: Aria. "Aura beata, plaude jucunda" (Angelus) | Johann Adolf Hasse, Thibault Noally, Les Accents, Julia Lezhneva | D Major | 1 | 10B | 72 BPM | |
 | Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | |
 | Befiehl dem Engel, dass er komm' in A Minor, BuxWV 10 | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | A Minor | 1 | 8A | 83 BPM | |
 | Laudate pueri in G Major, RV 601 "Salmo 112": IV. Excelsus super omnes (Larghetto) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | B♭ Minor | 0 | 3A | 82 BPM | |
 | Rodelinda, HWV 19: Act I - "Ombre, piante" | Simone Kermes | E Minor | 1 | 9A | 84 BPM | |
 | Missa Paschalis, ZWV 7: Kyrie. Christe eleison | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Terry Wey | A♭ Major | 1 | 4B | 105 BPM | |
 | Les Boréades, RCT 31: Entrée de Polymnie (Arr. for Baroque Ensemble & Saxophone by Bo Wiget) | Jean-Philippe Rameau, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner | F Major | 1 | 7B | 101 BPM | |
 | Mrs. M. E. her funeral tears for the death of her husband: 1. Grief, keep within | John Danyel, Ruby Hughes, Jonas Nordberg, Mime Yamahiro-Brinkmann | F Minor | 0 | 4A | 66 BPM |
- ISRC
- GBAYC0101985
- Label
- L-M Records/RCA Records