Verdi: Messa da Requiem: V. Liber scriptus - Dies irae
Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Orchestra Del Teatro Alla Scala, Milano
Verdi: Messa da Requiem
5:14 January 1, 1987
BPM
86
Key
G Minor
Camelot
6A

Embed

Share Link

Verdi: Messa da Requiem: V. Liber scriptus - Dies irae by Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Orchestra Del Teatro Alla Scala, Milano Song Details

"Verdi: Messa da Requiem: V. Liber scriptus - Dies irae" by Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Orchestra Del Teatro Alla Scala, Milano had its release date on January 1, 1987. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi: Messa da Requiem by Giuseppe Verdi, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano. The song's track number on the album is #5 out of 19 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Verdi: Messa da Requiem: V. Liber scriptus - Dies irae is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

Since Verdi: Messa da Requiem: V. Liber scriptus - Dies irae by Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Orchestra Del Teatro Alla Scala, Milano has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi: Messa da Requiem: V. Liber scriptus - Dies irae being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.

Music Key

This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-21.927 dB
Acousticness
95%
Danceability
16%
Energy
9%
Instrumentalness
1%
Liveness
12%
Loudness
63%
Speechiness
5%
Valence
4%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Mozart: Le nozze di Figaro, K. 492, Act 2: Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino)Wolfgang Amadeus Mozart, Riccardo Muti, Ann Murray, Wiener PhilharmonikerB♭ Major16B111 BPM
Rigoletto / Act 2: Rigoletto / Act 2: "Schiudete! ire al carcere" - "Poiché fosti invano da me maledetto" (Usciere / Monterone, Rigoletto)Giuseppe Verdi, Ildebrando D'Arcangelo, Vladimir Chernov, Metropolitan Opera Orchestra, James LevineA♭ Major44B180 BPM
La traviata / Act 1: La traviata / Act 1: "Ebben? che diavol fate?"Giuseppe Verdi, Salvatore Cordella, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo RizziA♭ Major24B168 BPM
Cavalleria rusticana: Cavalleria rusticana: "Oh! Il Signore vi manda" (Duetto)Pietro Mascagni, Julia Varady, Piero Cappuccilli, National Philharmonic Orchestra, Gianandrea GavazzeniD♭ Major23B64 BPM
Stabat Mater: 8. Inflammatus et accensus by Gioachino Rossini, Katia Ricciarelli, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz MendeStabat Mater: 8. Inflammatus et accensusGioachino Rossini, Katia Ricciarelli, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz MendeD Major210B112 BPM
Il barbiere di Siviglia / Act 1: No. 5 Cavatina: Il barbiere di Siviglia / Act 1: No. 5 Cavatina: "Una voce poco fa" - "Io sono docile"Gioachino Rossini, Teresa Berganza, Orchestra del Teatro San Carlo di Napoli, Silvio VarvisoE Major112B129 BPM
Donizetti: Lucia di Lammermoor, Act 3 Scene 6: Donizetti: Lucia di Lammermoor, Act 3 Scene 6: "Spargi d'amaro pianto" (Lucia, Raimondo, Enrico, Chorus)Gaetano Donizetti, Maria Callas, Nicola Zaccaria, Rolando Panerai, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, RIAS Sinfonie-Orchester Berlin, Herbert von KarajanE♭ Major15B101 BPM
Gounod: Faust, Act 2: Invocation. Gounod: Faust, Act 2: Invocation. "Avant de quitter ces lieux" (Valentin)Charles Gounod, Michel Plasson, Thomas Hampson, Orchestre Du Capitole De ToulouseA Minor18A94 BPM
Il Trovatore / Act 2: Il Trovatore / Act 2: "Il balen del suo sorriso...Qual suono! o ciel!"Giuseppe Verdi, Ingvar Wixell, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard BonyngeD♭ Major33B94 BPM
Cavalleria rusticana: Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza)Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea GavazzeniE Major112B101 BPM
Pagliacci: Recitar!...Vesti la giubba (Act I) by Philharmonia Orchestra, Riccardo Muti, José CarrerasPagliacci: Recitar!...Vesti la giubba (Act I)Philharmonia Orchestra, Riccardo Muti, José CarrerasE Major212B98 BPM
Cavalleria rusticana: Brindisi. Viva il vino spumeggiante Cavalleria rusticana: Brindisi. Viva il vino spumeggiante "Drinking Song"Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di MilanoA♭ Major34B126 BPM
La Bohème / Act 4: La Bohème / Act 4: "Sono andati" - LiveGiacomo Puccini, Anna Netrebko, Rolando Villazón, Bavarian Radio Symphony Orchestra, Bertrand de BillyF Major17B75 BPM
Bellini: Norma, Act 2: Bellini: Norma, Act 2: "Non parti?" (Coro)Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di MilanoA♭ Major04B74 BPM
Bizet: Carmen, Act 3: Bizet: Carmen, Act 3: "C'est des contrebandiers....Je dis, que rien ne m'épouvante" (Micaëla)Georges Bizet, Andréa Guiot/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera OrchestraE♭ Major15B86 BPM
Don Giovanni, K.527, Act I, Scena seconda: Ah, chi si dice mai by Wiener Philharmoniker, Carol Vaness, William Shimell, Samuel Ramey, Riccardo MutiDon Giovanni, K.527, Act I, Scena seconda: Ah, chi si dice maiWiener Philharmoniker, Carol Vaness, William Shimell, Samuel Ramey, Riccardo MutiB♭ Major16B67 BPM
Mozart: Requiem in D Minor, K. 626: IX. Domine Jesu Christe by Wolfgang Amadeus Mozart, Riccardo Muti, Frank Lopardo, James Morris, Patrizia Pace, Stockholm Chamber Choir, Swedish Radio Choir, Waltraud Meier, Berliner PhilharmonikerMozart: Requiem in D Minor, K. 626: IX. Domine Jesu ChristeWolfgang Amadeus Mozart, Riccardo Muti, Frank Lopardo, James Morris, Patrizia Pace, Stockholm Chamber Choir, Swedish Radio Choir, Waltraud Meier, Berliner PhilharmonikerC Minor35A81 BPM
Carmen, Act I, No.4 Choeur des Cigarières: Mais nous ne voyons pas la Carmencita!...Quand je vous aimerai? (Jeunes gens/Dragons/Cigarières/Carmen) by Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De ToulouseCarmen, Act I, No.4 Choeur des Cigarières: Mais nous ne voyons pas la Carmencita!...Quand je vous aimerai? (Jeunes gens/Dragons/Cigarières/Carmen)Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De ToulouseF Minor14A107 BPM
Tosca, Act III: Come è lunga l'attesa! by Giacomo Puccini, Mirella Freni, National Philharmonic Orchestra, Nicola RescignoTosca, Act III: Come è lunga l'attesa!Giacomo Puccini, Mirella Freni, National Philharmonic Orchestra, Nicola RescignoC Major18B76 BPM
Rossini: Petite messe solennelle: XII. Et vitam ventur saeculi by Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa CeciliaRossini: Petite messe solennelle: XII. Et vitam ventur saeculiGioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa CeciliaD♭ Major43B93 BPM
Bizet: Carmen, Act 1: Bizet: Carmen, Act 1: "Parle-moi de ma mère!" (José, Micaela)Georges Bizet, Nicolai Gedda/Andréa Guiot/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera OrchestraC Major18B171 BPM
Stabat Mater: 4. Pro peccatis suae gentis by Gioachino Rossini, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria GiuliniStabat Mater: 4. Pro peccatis suae gentisGioachino Rossini, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria GiuliniC Major38B80 BPM
Bizet: Carmen, WD 31, Act 2: Bizet: Carmen, WD 31, Act 2: "Nous avons en tête une affaire" (Le Dancaïre, Frasquita, Mercédès, Le Remendado, Carmen)Georges Bizet, Michel Plasson, Angela Gheorghiu, Elizabeth Vidal, Isabelle Cals, Nicolas Rivenq, Yann Beuron, Orchestre National Du Capitole De ToulouseD♭ Major23B77 BPM
Tosca, Act II: E qual via scegliete? – Tosca, finalmente mia! by Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von KarajanTosca, Act II: E qual via scegliete? – Tosca, finalmente mia!Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von KarajanD Major010B82 BPM
Ecco, Ridente In Cielo by Gioachino Rossini, Riccardo ChaillyEcco, Ridente In CieloGioachino Rossini, Riccardo ChaillyC Major18B121 BPM
ISRC
GBAYC8700835
Label
L-M Records/RCA Records