- BPM
- 80
- Key
- C Major
- Camelot
- 8B
Stabat Mater: 4. Pro peccatis suae gentis by Gioachino Rossini, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini Song Details
Gioachino Rossini, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini's ' "Stabat Mater: 4. Pro peccatis suae gentis" was released on its scheduled release date, January 1, 1982. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Rossini: Stabat Mater". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Stabat Mater: 4. Pro peccatis suae gentis is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
BPM and Tempo
With Stabat Mater: 4. Pro peccatis suae gentis by Gioachino Rossini, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Music Key
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 12%
- Loudness
- -14.724 dB
- Acousticness
- 91%
- Danceability
- 43%
- Energy
- 28%
- Instrumentalness
- 0%
- Liveness
- 82%
- Loudness
- 75%
- Speechiness
- 7%
- Valence
- 40%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Verdi: Messa da Requiem: VII. Quid sum miser | Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Daniela Barcellona, Roberto Alagna, Berliner Philharmoniker | E♭ Major | 1 | 5B | 83 BPM | |
 | Strauss, R: Der Rosenkavalier, Op. 59, Act I: "Di rigori armato il seno" (Singer) | Richard Strauss, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra | D♭ Major | 1 | 3B | 71 BPM | |
 | Te Deum: Tu rex gloriae, Christe | Georges Bizet, Katarina Jovanovic, Philippe Do, Pas-de-Calais North Regional Choir, Orchestre National de Lille, Jean-Claude Casadesus | F Major | 2 | 7B | 109 BPM | |
 | Requiem, Op. 48: 4. Pie Jesu | Gabriel Fauré, Kathleen Battle, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini | E♭ Major | 0 | 5B | 89 BPM | |
 | Rossini: Otello, Act I: "Ah si, per voi già sento" - "Premio maggior di questo" - "Amor, dirada il nembo" (Otello, Iago, Chorus) | Gioachino Rossini, Michael Spyres, Choeur de l'Opéra national du Rhin, Sangbae Choï, Marko Letonja, Orchestre Philharmonique De Strasbourg | A Major | 1 | 11B | 109 BPM | |
 | Cendrillon: On appelle, on sonne! | Jules Massenet, Philharmonia Orchestra, Julius Rudel | G Major | 1 | 9B | 84 BPM | |
 | Don Giovanni, K. 527, Act II: In quali eccessi, K. 540c (Recit., Vienna Version) | Wolfgang Amadeus Mozart, Agnes Baltsa, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 72 BPM | |
 | Rossini: Il barbiere di Siviglia, Act 2: Sestetto. "Fredda ed immobile" (Rosina, Conte, Bartolo, Figaro, Basilio, Berta) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | D Major | 1 | 10B | 80 BPM | |
 | Wagner: Tristan und Isolde, Act 1: "Frisch weht der Wind der Heimat zu" - "Mir erkoren, mir verloren" (Der junge Seemann, Isolde, Brangäne) | Richard Wagner, Herbert von Karajan, Christa Ludwig, Helga Dernesch, Peter Schreier, Berliner Philharmoniker | C Major | 1 | 8B | 131 BPM | |
 | Mascagni: Cavalleria rusticana: "Gli aranci olezzano" (Coro) | Pietro Mascagni, Riccardo Muti, Ambrosian Opera Chorus, Philharmonia Orchestra | A Major | 1 | 11B | 76 BPM | |
 | Mozart: Così fan tutte, K. 588, Act 1: Aria. "Un'aura amorosa del nostro tesoro" (Ferrando) | Wolfgang Amadeus Mozart, Karl Böhm, Alfredo Kraus, Heinrich Schmidt, Philharmonia Orchestra | A Major | 1 | 11B | 91 BPM | |
 | Eugene Onegin (Lyrical scenes in three acts) (Act 1): Duet and Quartet; Tatyana: Have you heard beyond the grove | Pyotr Ilyich Tchaikovsky, Emil Tchakarov, Sofia Festival Orchestra | G Minor | 1 | 6A | 67 BPM | |
 | Rossini: Guillaume Tell, Act 1 Scene 2: "Près des torrents qui grondent" (Melchthal, Guillaume, Jemmy, Hedwige, Arnold, Ruodi, Chorus) | Gioachino Rossini, Marie-Nicole Lemieux, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 7 | 9B | 78 BPM | |
 | La Sonnambula / Act 1: D'un pensiero e d'un accento | Vincenzo Bellini, Dame Joan Sutherland, Sylvia Stahlman, Margreta Elkins, Nicola Monti, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM | |
 | Tosca / Act I: "Un tal baccano in chiesa! Bel rispetto!" | Giacomo Puccini, Heinz Zednik, Ruggero Raimondi, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 73 BPM | |
 | Cavalleria rusticana: "Il cavallo scalpita" | Pietro Mascagni, Gian Giacomo Guelfi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | B♭ Minor | 0 | 3A | 77 BPM | |
 | Verdi: Don Carlos, Act 2: "Nei giardin del bello ... Tessete i veli" (Eboli, Tebaldo, Chorus) | Giuseppe Verdi, Carlo Maria Giulini, Delia Wallis, Shirley Verrett, Orchestra of the Royal Opera House, Covent Garden | D Major | 1 | 10B | 76 BPM | |
 | Andrea Chénier / Act 1: Il giorno intorno già s'insera lentamente! ... Via, | Umberto Giordano, Montserrat Caballé, Leo Nucci, Astrid Varnay, Kathleen Kuhlmann, National Philharmonic Orchestra, Riccardo Chailly | D Major | 1 | 10B | 79 BPM | |
 | Petite messe solennelle: Et resurrexit | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov | E Major | 2 | 12B | 137 BPM | |
 | L'elisir d'amore / Act 2: "Silenzo!..."Le feste nuziale" | Gaetano Donizetti, Dominic Cossa, Spiro Malas, Dame Joan Sutherland, Maria Casula, Luciano Pavarotti, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 95 BPM | |
 | 2 Nouvelles compositions: No. 1, À Grenade | Gioachino Rossini, Giuseppina Bridelli, Alessandro Marangoni | D Major | 2 | 10B | 112 BPM | |
| Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM | |
 | The Kingdom, Op. 51: Ia. In The Upper Room (Seek first the kingdom) | Edward Elgar, Francesca Chiejina, Sarah Connolly, Benjamin Hulett, Ashley Riches, Crouch End Festival Chorus, London Mozart Players, David Temple | D Minor | 2 | 7A | 62 BPM | |
 | Così fan tutte, K. 588 / Act I: "Sento, oh Dio, che questo piede" | Wolfgang Amadeus Mozart, Adam Plachetka, Rolando Villazón, Alessandro Corbelli, Miah Persson, Angela Brower, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 1 | 7B | 85 BPM | |
| Verdi: Messa da Requiem: XVII. Lux æterna | Giuseppe Verdi, Claudio Abbado, Daniela Barcellona, Julian Konstantinov, Roberto Alagna, Berliner Philharmoniker | B♭ Major | 1 | 6B | 86 BPM |
- ISRC
- DEF058230004
- Label
- L-M Records/RCA Records