Janis Siegel's 'To Be with You' had a release date set for July 26, 2005. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 10 in Experiment In White by Janis Siegel. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. To Be with You is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of To Be with You by Janis Siegel is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Them There Eyes | Rene Marie | C Major | 2 | 8B | 122 BPM | ||
| Forgotten How to Say Goodbye | Steven Taetz, Tia Brazda | E♭ Major | 3 | 5B | 140 BPM | ||
| Sweetness | Monika Ryan | A Minor | 3 | 8A | 138 BPM | ||
| Stardust on Wet Pavement | The Half Light Ensemble | B♭ Minor | 3 | 3A | 119 BPM | ||
| You Are There | Roberta Gambarini, Hank Jones | C Major | 1 | 8B | 73 BPM | ||
| Whenever You Come Around | John Di Martino, Janis Siegel | E♭ Major | 5 | 5B | 120 BPM | ||
| Amazonas | Bobby Sanabria Multiverse Big Band, Antoinette Montague, Janis Siegel, Jennifer Jade Ledesna | E Minor | 6 | 9A | 116 BPM | ||
| I Could Get Used to This (Bumpin') | Claire Martin, Jim Mullen | C Minor | 2 | 5A | 184 BPM | ||
| City Love | Malene Mortensen | A Minor | 2 | 8A | 143 BPM | ||
| Love | Susannah McCorkle | B Minor | 3 | 10A | 148 BPM | ||
| New Places | Håkan Broström, High Valley Trio | A♭ Major | 3 | 4B | 130 BPM | ||
| Lucky Us | Hope Newman Kemp | C Major | 2 | 8B | 82 BPM | ||
| Mood | Tessa Souter | F♯ Minor | 2 | 11A | 150 BPM | ||
| You Go to My Head - Live | Bob Mintzer Big Band, New York Voices | E♭ Major | 5 | 5B | 82 BPM | ||
| Fly Me to the Moon | Malene Mortensen | G Major | 1 | 9B | 73 BPM | ||
| Expectation | Los Angeles Ensemble, Darek Oleszkiewicz, Janis Siegel, Peter Erskine, Larry Koonse | G Major | 9 | 9B | 107 BPM | ||
| One Night With Frank | Erin Boheme | D♭ Major | 2 | 3B | 111 BPM | ||
| Chelsea Morning | Hilary Gardner | C Major | 2 | 8B | 149 BPM | ||
| I Think I Love You | TOKU | F Minor | 2 | 4A | 160 BPM | ||
| Find Yourself A Vision | Janet Benna | A♭ Major | 2 | 4B | 137 BPM | ||
| Rainy Night in Tokyo | Michael Franks, Claire Martin, Martin Sjöstedt, Niklas Fernqvist, Daniel Fredriksson | F♯ Minor | 3 | 11A | 126 BPM | ||
| 夢のカタチ | Mika Shinno, Janis Siegel, Senri Oe | F Major | 2 | 7B | 181 BPM | ||
| None of Us | Monika Ryan | A Minor | 3 | 8A | 138 BPM | ||
| April in Paris / Free Man in Paris | Tierney Sutton | B♭ Major | 1 | 6B | 120 BPM | ||
| Blue Bossa | Mary Juane Clair | B Minor | 3 | 10A | 137 BPM |