"Снегурочка, действие I: Сцена Снегурочки и Леля "За ласковый приём"" by Ирина Журина, Татьяна Ерастова, Александр Архипов, Александр Лазарев, Оркестр Большого театра had its release date on November 18, 2014. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in Римский-Корсаков: Снегурочка, so we believe that "Снегурочка, действие I: Сцена Снегурочки и Леля "За ласковый приём"" is a single. Снегурочка, действие I: Сцена Снегурочки и Леля "За ласковый приём" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Снегурочка, действие I: Сцена Снегурочки и Леля "За ласковый приём" by Ирина Журина, Татьяна Ерастова, Александр Архипов, Александр Лазарев, Оркестр Большого театра is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Il barbiere di Siviglia / Act 1: No. 4 Duetto: "All'idea di quel metallo" | Gioachino Rossini, Manuel Ausensi, Ugo Benelli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | G Major | 3 | 9B | 71 BPM | ||
| Gounod: Faust, Act 5: "Doux nectar dans ton ivresse" (Chœur, Mephistophélès, Faust) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, José van Dam, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Falstaff / Act III: "Ninfe! Elfi! Silfi!" - "Sul fil d'un soffio etesio" | Giuseppe Verdi, Dorothea Röschmann, Bryn Terfel, Adrianne Pieczonka, Berliner Philharmoniker, Claudio Abbado, Rundfunkchor Berlin, Simon Halsey | C Major | 3 | 8B | 68 BPM | ||
| Simon Boccanegra, Prologue: L'altra magion vedete? | Giuseppe Verdi, José van Dam, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | C Major | 3 | 8B | 121 BPM | ||
| Gounod: Faust, Act 3: "Je voudrais bien savoir" - Chanson. "Il était un roi de Thulé" (Marguerite) | Charles Gounod, Michel Plasson, Cheryl Studer, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Rigoletto / Act 1: "Già da tre lune son qui venuta" - "Olà?" / "Signor?" (Gilda, Rigoletto / Rigoletto, Giovanna) | Giuseppe Verdi, Cheryl Studer, Vladimir Chernov, Jane Shaulis, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | E Major | 1 | 12B | 77 BPM | ||
| La Gioconda / Act 1: Maledici? sta ben | Amilcare Ponchielli, Sherrill Milnes, Regolo Romani, Montserrat Caballé, National Philharmonic Orchestra, Bruno Bartoletti | A Minor | 0 | 8A | 164 BPM | ||
| Lucia di Lammermoor / Act 3: "Ah! cessate quel contento" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 1 | 9B | 84 BPM | ||
| The Snow Maiden, Prologue: Scene of Snow Maiden with Frost and Spring "S podruzhkami po yagodu khodit" | Ирина Журина, Нина Терентьева, Георгий Селезнёв, Александр Лазарев, Оркестр Большого театра | A Major | 1 | 11B | 133 BPM | ||
| Strauss, R: Der Rosenkavalier, Op. 59, Act I: "Di rigori armato il seno" (Singer) | Richard Strauss, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra | D♭ Major | 1 | 3B | 71 BPM | ||
| Il barbiere di Siviglia / Act 1: Mi par d'essere con la testa | Gioachino Rossini, Teresa Berganza, Fernando Corena, Nicolai Ghiaurov, Stefania Malagu, Ugo Benelli, Manuel Ausensi, Dino Mantovani, Coro del Teatro di San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 5 | 8B | 107 BPM | ||
| L'amico Fritz / Act 1: Son pochi fiori | Pietro Mascagni, Angela Gheorghiu, Roberto Alagna, Orchester der Deutschen Oper Berlin, Alberto Veronesi | E♭ Major | 1 | 5B | 96 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM | ||
| Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) | Jacques Offenbach, Francisco Araiza, Peter Menzel, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | D Major | 1 | 10B | 125 BPM | ||
| Puccini: Tosca, Act 1: "Tutto è chiaro" - "Tosca? Che non mi veda" - "Mario! Mario!" (Scarpia, Tosca, Sagrestano) | Giacomo Puccini, Maria Callas, Melchiorre Luise, Tito Gobbi, Victor de Sabata, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 111 BPM | ||
| Donizetti: Don Pasquale, Act 3: "Via, caro sposino" (Norina, Pasquale) | Gaetano Donizetti, Riccardo Muti, Mirella Freni, Sesto Bruscantini, Philharmonia Orchestra | C Major | 3 | 8B | 120 BPM | ||
| Andrea Chénier / Act 1: Passiamo la sera allegramente! ... O Pastorelle addio! | Umberto Giordano, Hugues Cuénod, Florindo Andreolli, Astrid Varnay, Luciano Pavarotti, Montserrat Caballé, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A Major | 1 | 11B | 75 BPM | ||
| The Mikado / Act 1: 19. The hour of gladness is dead and gone | Arthur Sullivan, Valerie Masterson, Lyndsie Holland, Colin Wright, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E Major | 2 | 12B | 91 BPM | ||
| La tabernera del puerto, Act II: "No puede ser" (Leandro) | Pablo Sorozábal, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | F♯ Major | 1 | 2B | 128 BPM | ||
| Donizetti: Don Pasquale, Act 2: "Ah! È rimasto là impietrato" (Malatesta, Pasquale, Norina, Ernesto) | Gaetano Donizetti, Riccardo Muti, Gösta Winbergh, Leo Nucci, Mirella Freni, Sesto Bruscantini, Philharmonia Orchestra | E Major | 2 | 12B | 75 BPM | ||
| Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM | ||
| Carmen / Act 1: Votre mère avec moi sortait de la chapelle | Georges Bizet, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 129 BPM | ||
| Puccini : Manon Lescaut : Act 1 "Tra voi, belle" [Des Grieux] | Giacomo Puccini, José Cura, Plácido Domingo, Philharmonia Orchestra | C Major | 1 | 8B | 131 BPM | ||
| Simon Boccanegra: Act I: Cielo di stelle orbato (Gabriele, Amelia) | Giuseppe Verdi, Francesco Meli, Marina Rebeka, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | C Major | 3 | 8B | 121 BPM | ||
| Lucia di Lammermoor / Act 1: Ancor non giunse! | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | F Major | 5 | 7B | 79 BPM |