Pieces de Viole, Book 2, Suite No. 2: IV. Sarabande La d'Auteuil by Roland Marais, Petr Wagner, Ensemble Tourbillon Song Details

Roland Marais, Petr Wagner, Ensemble Tourbillon's ' "Pieces de Viole, Book 2, Suite No. 2: IV. Sarabande La d'Auteuil" was released on its scheduled release date, February 1, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Roland Marais, Ensemble Tourbillon's "Marais: Pieces de Viole, Book 2" album is number 20 out of 30. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Pieces de Viole, Book 2, Suite No. 2: IV. Sarabande La d'Auteuil is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

We consider the tempo marking of Pieces de Viole, Book 2, Suite No. 2: IV. Sarabande La d'Auteuil by Roland Marais, Petr Wagner, Ensemble Tourbillon to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Music Key

This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -19.556 dB
Acousticness: 95%
Danceability: 40%
Energy: 10%
Instrumentalness: 0%
Liveness: 11%
Loudness: 67%
Speechiness: 4%
Valence: 45%

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