"Ciaccona" by Traditional, Rolf Lislevand Ensemble had its release date on March 10, 2006. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Ciaccona's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Nuove Musiche". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. In terms of popularity, Ciaccona is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ciaccona by Traditional, Rolf Lislevand Ensemble having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Willi's Farewell | vision string quartet | G Major | 4 | 9B | 153 BPM | ||
| The Mad Lover Suite: Ground. Aire III | John Eccles, Théotime Langlois de Swarte, Thomas Dunford | E Major | 0 | 12B | 127 BPM | ||
| Suite, TWV 55:B8: Scaramouche - Arranged for Violin and Cimbalom | Georg Philipp Telemann, Marcel Comendant, Il Suonar Parlante Orchestra, Vittorio Ghielmi, Stanislav Palúch | D Minor | 6 | 7A | 142 BPM | ||
| Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
| Jácaras | Antonio de Santa Cruz, Enrike Solinís, Euskal Baroque Ensemble | D Major | 4 | 10B | 120 BPM | ||
| Concerto for Harp In B-Flat Major, Op. 4, No 6 HWV 294: II. Larghetto | George Frideric Handel, Valérie Milot, Bernard Labadie | G Minor | 0 | 6A | 101 BPM | ||
| String Quintet No. 60 in C Major, G. 324 "La musica notturna delle strade di Madrid": I. Il campane quando suonano l'Ave Maria | Luigi Boccherini, Cuarteto Casals, Eckart Runge | C Major | 1 | 8B | 103 BPM | ||
| Intro Passacaille in G Minor | Rolf Lislevand | D Major | 1 | 10B | 115 BPM | ||
| Adès: Les baricades mistérieuses | Thomas Adès, Composers Ensemble | B♭ Major | 0 | 6B | 132 BPM | ||
| Guitar Concerto: III | Oliver Davis, Sergio Puccini, Oliver Wass, Henry Hanssen, Peter Illenyi, Budapest Scoring Orchestra | B Minor | 3 | 10A | 120 BPM | ||
| Concerto grosso No. 2 in B-Flat major, HWV 313: II. Largo | George Frideric Handel, Academy of Ancient Music, Richard Egarr | A Major | 3 | 11B | 105 BPM | ||
| Trio Sonata In C Major, RV 82: 1. Allegro non molto (quasi andante) | Antonio Vivaldi, Avi Avital, Mahan Esfahani, Ophira Zakai, Patrick Sepec | G Major | 2 | 9B | 151 BPM | ||
| Frogg Galliard | Hopkinson Smith, John Dowland | G Major | 2 | 9B | 119 BPM | ||
| Dido and Aeneas, Z. 626: When I am Laid in Earth - Arr. for Solo Cello | Henry Purcell, Christian-Pierre La Marca | F♯ Minor | 1 | 11A | 58 BPM | ||
| Napoli Sketch 2 | David Bergmüller, David Orlowsky | F Minor | 4 | 4A | 133 BPM | ||
| Pièces de clavecin, Book 2, Ordre sixième: No. 5, Les baricades mistérieuses (Arr. X. Jara for Guitar) | François Couperin, Xavier Jara | A Major | 2 | 11B | 76 BPM | ||
| Concerto for 2 Cellos in G Minor, RV 531: II. Largo | Antonio Vivaldi, Keith Hurvey, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | G Minor | 1 | 6A | 56 BPM | ||
| Forqueray, A: Pièces de viole, Suite No. 5 en ut mineur: VII. Jupiter. Modérément | Antoine Forqueray, Jean Rondeau, Thomas Dunford | G Major | 3 | 9B | 101 BPM | ||
| Zefiro torna | Claudio Monteverdi, Capella De La Torre, Katharina Bauml | F Major | 3 | 7B | 107 BPM | ||
| Libros Mudarra, Book 1: No. 12, Fantasía X (Arr. for Guitar) [1] | Alonso Mudarra, José Miguel Moreno | E Major | 1 | 12B | 169 BPM | ||
| Les Barricades mystérieuses | François Couperin, David Greilsammer | B♭ Major | 0 | 6B | 131 BPM | ||
| Passacaglia antica I | Traditional, Rolf Lislevand Ensemble | F♯ Major | 1 | 2B | 136 BPM | ||
| Sonata Quinta in E Minor: I. Andante | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | E♭ Minor | 1 | 2A | 104 BPM | ||
| Cello Concerto in A Minor, RV 419: III. Allegro | Antonio Vivaldi, Anastasia Kobekina, Kammerorchester Basel | F♯ Major | 2 | 2B | 142 BPM | ||
| The Yellow Cake Review, Farewell to Stromness (Excerpt) | Peter Maxwell Davies, Los Angeles Guitar Quartet, Jim Walker | D Major | 0 | 10B | 127 BPM |