- BPM
- 86
- Key
- D Major
- Camelot
- 10B
Stabat Mater: IV. Quae moerebat et dolebat by New Trinity Baroque Song Details
"Stabat Mater: IV. Quae moerebat et dolebat" by New Trinity Baroque had its release date on November 17, 2008. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Stabat Mater: IV. Quae moerebat et dolebat's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Pergolesi: Stabat Mater". In this album, this song's track order is #4. Stabat Mater: IV. Quae moerebat et dolebat is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Stabat Mater: IV. Quae moerebat et dolebat by New Trinity Baroque having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 4%
- Loudness
- -26.283 dB
- Acousticness
- 98%
- Danceability
- 31%
- Energy
- 2%
- Instrumentalness
- 27%
- Liveness
- 11%
- Loudness
- 56%
- Speechiness
- 5%
- Valence
- 16%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sonata II In G Minor: VIII. Borea (Alla Breve) (Muffat) | Georg Muffat, Masques, Olivier Fortin | F♯ Minor | 3 | 11A | 108 BPM | |
 | Sei Concerti in sette parte per due violini e violoncello obligato, con in piu due violini, un tenore e basso continuo, Concerto grosso No. 2 in C minor: II. Grave | Alessandro Scarlatti, Europa Galante, Fabio Biondi | B Minor | 1 | 10A | 108 BPM | |
 | Overture in G Minor: III. Aria. Presto | Giuseppe Antonio Brescianello, La Cetra Barockorchester Basel, David Plantier, Vaclav Luks | A Minor | 1 | 8A | 67 BPM | |
 | Recorder Sonata in A Minor: II. Allegro | Diogenio Bigaglia, Dan Laurin, Parnassus Avenue | B Major | 1 | 1B | 142 BPM | |
 | Purcell: Trumpet Sonata in D Major, Z. 850: II. Adagio | Henry Purcell, Alison Balsom, Balsom Ensemble | B♭ Minor | 1 | 3A | 81 BPM | |
 | Overture (Suite) In A Minor, TWV 55:a2: V. Rejouissance | Jiří Stivín, Capella Istropolitana, Georg Philipp Telemann | E Minor | 1 | 9A | 123 BPM | |
 | Keyboard Concerto in G Minor, Wq. 6, H. 409: III. Allegro | Carl Philipp Emanuel Bach, Gerald Hambitzer, Concerto Köln | D Major | 0 | 10B | 96 BPM | |
![Cantata II. Ad Genua (To the Knees): II. Ad Ubera Portabimini [Chorus] by Dietrich Buxtehude, New Trinity Baroque, Predrag Gosta](https://i.scdn.co/image/ab67616d00001e02148912612cd43d2551327ac4) | Cantata II. Ad Genua (To the Knees): II. Ad Ubera Portabimini [Chorus] | Dietrich Buxtehude, New Trinity Baroque, Predrag Gosta | C Minor | 2 | 5A | 125 BPM | |
 | Concerto for oboe and strings: II. Allegro | Giovanni Battista Pergolesi, Brynjar Hoff, Ian Watson, English Chamber Orchestra | G Major | 2 | 9B | 119 BPM | |
 | The Tempest, Z. 631, "The Enchanted Island": Masque Of Spirits, Act II, No. 7 (Air) | Thomas Shadwell, Nils Brown, Gillian Keith, Meredith Hall, Rosemarie van der Hooft, Brett Polegato, Aradia Ensemble, Paul Grindlay, Michael Colvin, John Dryden, Henry Purcell | D Major | 1 | 10B | 87 BPM | |
 | Concerto for two horns and strings in E flat major / Mi bémol majeur / Es-dur: II. Allegro | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | D Major | 3 | 10B | 125 BPM | |
 | Mystery Sonata No. 7 "The Scourging at the Pillar": II. Sarab. Variation | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | |
 | Concerto for 2 Oboes and Bassoon in C Minor, FWV L:C2: II. Largo | Johann Friedrich Fasch, Marcel Ponseele, Taka Kitazato, Alain De Rijckere, Il Gardellino | G Minor | 1 | 6A | 116 BPM | |
| Sonata [Concerto IX] in A minor for recorder, 2 violins & basso continuo: V. Allegro | Alessandro Scarlatti, Petr Zejfart/Lorenzo Colitto/Maurizio Naddeo/Europa Galante/Fabio Biondi | A♭ Minor | 1 | 1A | 101 BPM | |
 | Sonata I in B Minor, HWV 386, Op. 2 No. 1: II. Allegro ma non troppo | George Frideric Handel, Academy of Ancient Music, Richard Egarr | F♯ Minor | 2 | 11A | 92 BPM | |
 | Concerto In D Major, Op. 26, No. 6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | |
| Concerto in A Major, Op. 12 No. 1: II. Allegro | Jean-Baptiste Quentin, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 109 BPM | |
 | Soft Music on the Rocks | Henry Purcell, Musicians Of The Globe, Philip Pickett | F♯ Minor | 0 | 11A | 81 BPM | |
 | Symphony in B-Flat Major: II. Andante | Franz Xaver Richter, L'Orfeo Barockorchester, Michi Gaigg | D♭ Major | 3 | 3B | 146 BPM | |
 | Introduttione IV in G Major, Op. 4 No. 4: II. Andante | Pietro Locatelli, Fabio Biondi, Europa Galante | A♭ Major | 1 | 4B | 123 BPM | |
 | Sonata No. 8 in C Minor, Op. 1: III. Largo | Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Albert Brüggen, Mike Fentross, Pieter-Jan Belder | B♭ Minor | 0 | 3A | 78 BPM | |
| Cantata V. Ad Pectus (To the Breast): VI. Sicut Modo Geniti [Trio] | Dietrich Buxtehude, New Trinity Baroque, Predrag Gosta | G Minor | 3 | 6A | 128 BPM | |
 | La stravaganza, Op. 4, Violin Concerto No. 6 in G Minor: II. Largo | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini | D♭ Minor | 0 | 12A | 121 BPM | |
 | In Nativitatem Domini Canticum, H.416: II. La Nuit | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | B Major | 1 | 1B | 135 BPM | |
 | Water Music, Suite No. 3 in G Major, HWV 350: I. Sarabande | George Frideric Handel, Aradia Ensemble, Kevin Mallon | D♭ Minor | 2 | 12A | 75 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records