Stefan Cwik, Paula Brusky, Michael Williams, Wen-Lei Gu, Kay Kim's ' "8 Miniatures for Chamber Ensemble (Hommage a Igor Stravinsky): Introduction" was released on its scheduled release date, June 15, 2011. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 14 in Bassoon and Friends - Winners of the 2010 Bassoon Chamber Music Composition Competition by Paula Brusky, BCMCC Chamber Players. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, 8 Miniatures for Chamber Ensemble (Hommage a Igor Stravinsky): Introduction's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of 8 Miniatures for Chamber Ensemble (Hommage a Igor Stravinsky): Introduction by Stefan Cwik, Paula Brusky, Michael Williams, Wen-Lei Gu, Kay Kim is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alto Saxophone Sonata in C-Sharp Major (Version for Saxophone & Piano): I. Très modéré, expressif | Fernande Decruck, Asya Fateyeva, Valeria Myrosh | E Major | 1 | 12B | 102 BPM | ||
| Koojo No Tsuki | Rentaro Taki, Marc Grauwels | A Minor | 0 | 8A | 67 BPM | ||
| 24 Flute Etudes, Op. 15: No. 3 in G Major | Joachim Andersen, Kyle Dzapo | A Minor | 0 | 8A | 147 BPM | ||
| String Quartet No. 2 in A Minor: II. Andante cantabile (Arr. Colbert for String Ensemble) | Florence Beatrice Price, Sphinx Virtuosi | E Minor | 2 | 9A | 116 BPM | ||
| Le tombeau de Couperin, M. 68: IV. Rigaudon (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | D♭ Major | 1 | 3B | 110 BPM | ||
| The Professor | Vox & the Sound, Stefan Cwik | B♭ Minor | 7 | 3A | 152 BPM | ||
| Trio for Oboe, Bassoon and Piano: 2. Andante | Francis Poulenc, Hansjorg Schellenberger, Milan Turkovic, James Levine | C Major | 0 | 8B | 110 BPM | ||
| Sonata for Flute and Piano: 1. Allegro malincolico | Francis Poulenc, Wolfgang Schulz, James Levine | A Minor | 1 | 8A | 77 BPM | ||
| Hindemith: Flute Sonata: I. Heiter bewegt | Paul Hindemith, Emmanuel Pahud, Eric Le Sage | F♯ Major | 0 | 2B | 71 BPM | ||
| Tuba Suite: II. Andante espressivo | Don Haddad, David Zerkel, Paolo Andre Gualdi | B♭ Minor | 3 | 3A | 79 BPM | ||
| Haro no Umi (for Violin and Harp) | Michio Miyagi, Gidon Kremer, Naoko Yoshino | A Minor | 1 | 8A | 127 BPM | ||
| Ciudades: III. Addis Ababa | Guillermo Lago, Fukio Ensemble | B♭ Minor | 8 | 3A | 140 BPM | ||
| String Quartet No. 8 in F Major, K. 168: II. Andante | Wolfgang Amadeus Mozart, Hagen Quartett | D Major | 3 | 10B | 85 BPM | ||
| 8 Miniatures for Chamber Ensemble (Hommage a Igor Stravinsky): Serenata | Stefan Cwik, Paula Brusky, Michael Williams, Wen-Lei Gu, Kay Kim | C Minor | 1 | 5A | 78 BPM | ||
| Feuille d'images (Version for Orchestra): No. 1, Confidence | Louis Aubert, Staatsphilharmonie Rheinland-Pfalz, Leif Segerstam | C Major | 0 | 8B | 92 BPM | ||
| No. 4, Prairie Night (Card Game at Night) | Aaron Copland, Colorado Symphony, Andrew Litton | D Major | 8 | 10B | 89 BPM | ||
| Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
| Tableaux de Provence: I. Farandoulo di Chatouno | Paule Maurice, Dominic Childs, Simon Callaghan | G Major | 1 | 9B | 76 BPM | ||
| Solo de Concours | Anthony Mcgill | B♭ Major | 0 | 6B | 76 BPM | ||
| Scaramouche, Op. 165c: III. Brazileira | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | F Major | 3 | 7B | 72 BPM | ||
| String Quartet In F Major, M.35: 2. Assez vif. Très rythmé | Maurice Ravel, Quatuor Ysaÿe | C Major | 0 | 8B | 79 BPM | ||
| Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Concerto for Cello and Orchestra "Never Give Up", Op. 73: I. Never Give Up | Fazıl Say, Camille Thomas, Brussels Philharmonic, Stéphane Denève | G Major | 3 | 9B | 89 BPM | ||
| Five Bagatelles, Op. 23: No. 3, Carol. Andantino semplice | Gerald Finzi, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 94 BPM | ||
| Románc (Arr. for Cello & String Orchestra by Mariusz Smolij) | Eugene Zador, Richard Rozsa, MÁV Symphony Orchestra, Budapest, Mariusz Smolij | F Major | 2 | 7B | 93 BPM |