"Castillo interior" by Pēteris Vasks, Maja Bogdanovic, Daniel Rowland had its release date on March 13, 2020. This song appears to be safe for all ages as it is not explicit. There are a total of 13 in the song's album "Pas de deux". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Netherlands. Castillo interior is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Castillo interior by Pēteris Vasks, Maja Bogdanovic, Daniel Rowland having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Weinberg: Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Edgar Moreau, Andris Poga, WDR Sinfonieorchester | C Minor | 0 | 5A | 128 BPM | ||
| 4 Lieder, Op. 27: 4. Morgen! | Richard Strauss, Harriet Krijgh, Magda Amara | G Major | 0 | 9B | 175 BPM | ||
| The Bronze Horseman (Arr. J. Lenehan): II. Andante | Helen Habershon, Andrew Fuller, John Lenehan | A Minor | 1 | 8A | 89 BPM | ||
| Samson & Dalila, Op. 47: Prélude (Arr. for String Quartet by Eric Mouret) | Camille Saint-Saëns, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Tzigane | Maurice Ravel, Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth | A Minor | 4 | 8A | 86 BPM | ||
| Quartet No. 6 in D Minor, (Op. 5 No. 3) M.S.33: II. Moderato | Niccolò Paganini, Daniel Rowland, Maja Bogdanovic, Alberto Mesirca, Razvan Popovici | A Minor | 1 | 8A | 157 BPM | ||
| Quartet No. 5 in C Major, (Op. 5 No. 2) M.S.32: I. Allegro | Niccolò Paganini, Daniel Rowland, Maja Bogdanovic, Alberto Mesirca, Joel Waterman | B Major | 1 | 1B | 129 BPM | ||
| Cello Concerto No. 2: V. Lento | Krzysztof Penderecki, Maja Bogdanovic, Polish Sinfonia Iuventus Orchestra, Maciej Tworek | B Minor | 2 | 10A | 119 BPM | ||
| Soir - Matin, Op. 76: I. Soir. Andante cantabile | Mel Bonis, Trio Wanderer | E Major | 0 | 12B | 74 BPM | ||
| 3 Elegische Stücke, Op. 106: I. Elegie | Christian Sinding, Henning Kraggerud, Christian Ihle Hadland | C Minor | 0 | 5A | 97 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | E Major | 0 | 12B | 74 BPM | ||
| 12 Album Leaves, Op. 51: No. 7 in G Major. Allegretto ma non troppo | Reinhold Glière, Maja Bogdanovic, Maria Belooussova | E Minor | 1 | 9A | 177 BPM | ||
| Enescu: Octet in C Major, Op. 7: IV. Mouvement de valse bien rythmée | George Enescu, Vilde Frang | F Major | 3 | 7B | 112 BPM | ||
| Violin Sonata No. 1 in F Major, Op. 8: II. Allegretto quasi andantino | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D♭ Major | 3 | 3B | 110 BPM | ||
| Violin Concerto No. 1: I. Crotchet = 104 – Crotchet = 120 | Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | E Minor | 2 | 9A | 146 BPM | ||
| Double Bass Sonata: III. Adagio | Henry Eccles, Ferenc Csontos, Balazs Szokolay | D Major | 1 | 10B | 106 BPM | ||
| From Jewish Folk Poetry, Op. 79: III. Lullaby (Arr. for Cello and String Orchestra) | Dmitri Shostakovich, Sol Gabetta | D♭ Major | 1 | 3B | 140 BPM | ||
| Sonata for Violoncello and Piano No. 1 in C Minor, Op. 32: III. Allegro moderato | Camille Saint-Saëns, Mischa Maisky, Daria Hovora | C Minor | 2 | 5A | 98 BPM | ||
| 3 Romances sans paroles, Op. 7: 2. Désespoir | Henri Vieuxtemps, Janine Jansen, Antonio Pappano | A♭ Major | 5 | 4B | 100 BPM | ||
| Kamij Sen-Sans: Allegro apassionato za violončelo i orkestar op.43 | Kamij Sen-Sans, Maja Bogdanovic, Simfonijski orkestar RTS, Bojan Suđić | B Minor | 3 | 10A | 54 BPM | ||
| Piano Trio in D Minor, Op. 120: Piano Trio in D minor, Op. 120: I. Allegro ma non troppo | Gabriel Fauré, Trio Wanderer | B♭ Major | 0 | 6B | 85 BPM | ||
| Les chemins de l'amour, FP. 106 | Francis Poulenc, Mischa Maisky, Daria Hovora | E Major | 1 | 12B | 67 BPM | ||
| Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | E Major | 0 | 12B | 74 BPM | ||
| DANCE: V. when you’re perfectly free | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | G Major | 3 | 9B | 113 BPM | ||
| Pulcinella, K 034: II. Serenata | Igor Stravinsky, Josep Pons, Orquestra De Cambra Teatre Lliure | C Minor | 0 | 5A | 77 BPM |