- BPM
- 73
- Key
- B♭ Major
- Camelot
- 6B
Solitude in Transblucency by Richard Simpson, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Andrew Barnell Song Details
"Solitude in Transblucency" by Richard Simpson, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Andrew Barnell had its release date on 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 12 in Duke Ellington Album by Sir Simon Rattle. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Solitude in Transblucency is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Solitude in Transblucency by Richard Simpson, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Andrew Barnell is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 7%
- Loudness
- -18.465 dB
- Acousticness
- 97%
- Danceability
- 8%
- Energy
- 11%
- Instrumentalness
- 93%
- Liveness
- 11%
- Loudness
- 69%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Suite No. 1, P. 109: III. Villanella: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | B Minor | 0 | 10A | 88 BPM | |
 | Nana | Manuel de Falla, Martin Fröst, Royal Stockholm Philharmonic Orchestra | A Minor | 0 | 8A | 113 BPM | |
 | Desplat: The Shape of Water: II. Watching Ruth | Alexandre Desplat, Emmanuel Pahud, Myriam Lafargue, Orchestre National De France | D Minor | 1 | 7A | 89 BPM | |
 | Elegy (In Memoriam Stephen Lawrence) | Philip Herbert, Chineke! Orchestra, Anthony Parnther | C Major | 0 | 8B | 100 BPM | |
 | Ab Ovo (Arr. by Knoth) | Signum Saxophone Quartet | A Minor | 0 | 8A | 67 BPM | |
 | Double Bass Concerto in A Major: I. Allegro moderato | Domenico Dragonetti, Massimo Giorgi, I Solisti Aquilani, Vittorio Antonellini | A Major | 1 | 11B | 120 BPM | |
 | Montero: Improvisation on Handel's Largo | Gabriela Montero | G Major | 0 | 9B | 135 BPM | |
 | Piano Concerto No. 2 in A-Flat Major, H. 31: II. Poco adagio | John Field, Miceal O'Rourke, Matthias Bamert, London Mozart Players | A Major | 1 | 11B | 116 BPM | |
 | Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra) | Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 100 BPM | |
 | DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | |
 | Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | |
 | Le Tombeau de Couperin, M. 68: III. Forlane (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | B Minor | 1 | 10A | 72 BPM | |
 | Adam Zero: Approach of Autumn | Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones | D Minor | 0 | 7A | 128 BPM | |
 | Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | |
 | Rêve Astral | Etoilee | F Minor | 8 | 4A | 119 BPM | |
 | Hair Style | Richard Simpson | E♭ Major | 0 | 5B | 120 BPM | |
 | Strings in the Earth and Air (Version for Soprano, Recorder, Oboe, Violin & Cello) | Peter Dickinson, Lesley-Jane Rogers, John Turner, Richard Simpson, Benedict Holland, Nicholas Trygstad | G Major | 0 | 9B | 85 BPM | |
 | Where Hope Was Sown: I. The Day of the Peewits' Return | Helen Leach, Richard Simpson, Victoria String Quartet | B♭ Major | 1 | 6B | 68 BPM | |
 | Violin Concerto, Op. 14: II. Andante | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | |
 | Overture for St. Paul’s | Christopher Cotton, John Turner, Victoria String Quartet, Richard Simpson | D Major | 0 | 10B | 84 BPM | |
 | String Quartet No. 2, Op. 147: VII. Hymn | Alan Hovhaness, Shanghai Quartet | C Major | 0 | 8B | 95 BPM | |
 | Les pêcheurs de perles, WD 13, Act I: Au fond du temple saint (Arr. for Cello and Orchestra) | Georges Bizet, Sally Maer, Andrew Greene, Tasmanian Symphony Orchestra | E♭ Major | 2 | 5B | 57 BPM | |
 | Nocturne No. 2 in C Minor. Moderato e molto espressivo | John Field, John O'Conor | C Minor | 0 | 5A | 68 BPM | |
 | El cant dels ocells (Version for Cello & String Quartet) | Pau Casals, Ofra Harnoy, Orford String Quartet | E♭ Minor | 0 | 2A | 87 BPM | |
 | Ethiopia's Shadow in America: II. His Resignation and Faith | Florence Beatrice Price, Chineke! Orchestra, Leslie Suganandarajah | A Major | 1 | 11B | 72 BPM |
- ISRC
- GBAYC9903336
- Label
- L-M Records/RCA Records