Johann Hermann Schein, Collegium Terpsichore, Fritz Neumeyer's ' "Suite No. 5 In G: 2. Galliarde" was released on its scheduled release date, January 1, 2005. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 17 out of 35 in Danses de la Renaissance by Fritz Neumeyer. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Suite No. 5 In G: 2. Galliarde is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Suite No. 5 In G: 2. Galliarde by Johann Hermann Schein, Collegium Terpsichore, Fritz Neumeyer is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nach dir, Herr, verlanget mich, BWV 150: I. Sinfonia | Johann Sebastian Bach, Vox Luminis, Lionel Meunier | E Major | 2 | 12B | 126 BPM | ||
| Ancor che col partire | Antonio de Cabezón, Yoann Moulin | A Minor | 1 | 8A | 135 BPM | ||
| Da pacem domine | Franz Tunder, Capella De La Torre, Katharina Bauml | B♭ Major | 1 | 6B | 76 BPM | ||
| The Funeralls | Anthony Holborne, L'Achéron, François Joubert-Caillet | D Major | 0 | 10B | 84 BPM | ||
| Couperin, L: Suite en fa: III. Courante, G. 69 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 2 | 5B | 135 BPM | ||
| Sonata in F, TWV 41 F3: I. Andante | Georg Philipp Telemann, Jared Hauser, Christopher Stenstrom, Francis Perry, Polly Brecht | F Minor | 0 | 4A | 125 BPM | ||
| 3 Parts upon a Ground in F Major, Z. 731 | Henry Purcell, La Fenice, Jean Tubéry | E Major | 0 | 12B | 57 BPM | ||
| Israelsbrünnlein: No. 2, Freue dich des Weibes deiner Jugend | Johann Hermann Schein, Christine Hesse, Friedhelm Rentzsch, Stefan Maass, Dresdner Kammerchor, Hans-Christoph Rademann | E♭ Major | 0 | 5B | 66 BPM | ||
| Israelsbrünnlein: No. 10, Da Jakob vollendet hatte | Johann Hermann Schein, Christine Hesse, Friedhelm Rentzsch, Stefan Maass, Dresdner Kammerchor, Hans-Christoph Rademann | G Major | 1 | 9B | 66 BPM | ||
| Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
| Lachrimae or Seven Tears: IV. Lachrimae tristes | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Te Deum, H. 146: VIII. "Dignare Domine" | Marc-Antoine Charpentier, Véronique Gens, Bernard Deletré, Les Arts Florissants, William Christie | D♭ Major | 0 | 3B | 76 BPM | ||
| Jesu, meine Freude, BuxWV 60: VII. Weicht, ihr Trauergeister | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | E Minor | 1 | 9A | 82 BPM | ||
| Israelis Brünnlein, S 1385: Zion spricht: Der Herr hat mich verlassen | Johann Hermann Schein, Ensemble Vocal Européen, Philippe Herreweghe | B♭ Major | 1 | 6B | 66 BPM | ||
| Cantate Domino | Francesco Cavalli, Gerlinde Sämann, Ecco la musica | E♭ Minor | 1 | 2A | 96 BPM | ||
| Canzoni a quattro voci, Op. 1: No. 4, La Merula | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Un pastor chies’ ad una ninfa amore | Giovanni Ferretti, The English Cornett and Sackbut Ensemble | D Major | 8 | 10B | 170 BPM | ||
| Suite No. 3 In A: 2. Galliarde | Johann Hermann Schein, Collegium Terpsichore, Fritz Neumeyer | C Major | 1 | 8B | 89 BPM | ||
| Sonate concertate a due e tre voci, Book 1: No. 18, Sonata sopra "La novella" | Giuseppe Scarini, Ecco la musica | F♯ Major | 1 | 2B | 89 BPM | ||
| Tenebrae Responsories, Feria quinta: III. Ecce vidimus eum | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 2 | 8A | 130 BPM | ||
| The God Whom Earth and Sea and Sky | Johann Hermann Schein, Venantius Honorius Fortunatus, Johann Sebastian Bach, Randall DeBruyn, John M. Neale | D Major | 2 | 10B | 72 BPM | ||
| Suite No. 4 In D: 2. Galliarde | Johann Hermann Schein, Collegium Terpsichore, Fritz Neumeyer | D Minor | 1 | 7A | 119 BPM | ||
| Israelsbrünnlein: XVI. Ihr Heiligen, lobsinget dem Herrn | Johann Hermann Schein, Jarek Thiel, Michael Dücker, Wolfgang Kostujak, Dresdner Kammerchor, Hans-Christoph Rademann | G Major | 1 | 9B | 66 BPM | ||
| Terpsichore, Musarum Aoniarum: Passamezze | Pierre Francisque Caroubel, Chelys Consort of Viols, James Akers | B Major | 1 | 1B | 139 BPM | ||
| Petite messe solennelle: XI. Credo. Credo in unum Deum | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM |