"Vessel: An Opera Epic: Epic" by Meredith Monk, Robert Een had its release date on October 1, 1992. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Meredith Monk, Robert Een's "Meredith Monk: Facing North" album is number 10 out of 14. On top of that, Germany appears to be the country where this track was created. Vessel: An Opera Epic: Epic is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vessel: An Opera Epic: Epic by Meredith Monk, Robert Een to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Waeves Of Peace And Heaven | Christian Amstätter, Federspiel | E Major | 0 | 12B | 86 BPM | ||
| For Bunita Marcus: Mm. 1270-1372 | Morton Feldman, Aki Takahashi | D Major | 0 | 10B | 60 BPM | ||
| In C: Part 01 | Terry Riley, Blindman Kwartet, Ictus | C Major | 2 | 8B | 129 BPM | ||
| Re Bo No | Simon Zöchbauer, Federspiel | E Major | 0 | 12B | 86 BPM | ||
| Hymne | Anja Lechner, François Couturier | D Minor | 0 | 7A | 75 BPM | ||
| Triadic Memories: I | Morton Feldman, Helena Basilova | A♭ Major | 0 | 4B | 160 BPM | ||
| Six Pieces for Solo Violin: II. Arpeggio | Sophia Jani, Teresa Allgaier | E Minor | 1 | 9A | 117 BPM | ||
| Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Dominic Desautels | E Major | 0 | 12B | 86 BPM | ||
| String Quartet: II. Àigi | Bjorn Arntsen, Towha | C Minor | 1 | 5A | 169 BPM | ||
| Penaber | Nathan Felix | G Major | 3 | 9B | 120 BPM | ||
| Buoy | Koki Nakano | B♭ Minor | 1 | 3A | 150 BPM | ||
| Siete Canciones popolares Españolas: No. 5, Nana | Sylvain Millepied, Maia Darme | A Minor | 0 | 8A | 90 BPM | ||
| Dawning and Wind | Shida Shahabi | C Major | 0 | 8B | 74 BPM | ||
| Solo Hicaz Taksim | Emre Atay | C Major | 0 | 8B | 79 BPM | ||
| And So | Caroline Shaw, Attacca Quartet | E Major | 1 | 12B | 131 BPM | ||
| Know No No | Iva Bittová, Marilyn Crispell, Benedicte Maurseth, David Rothenberg | D Major | 1 | 10B | 112 BPM | ||
| From The Invisible To The Visible | Shara Worden, Nadia Sirota | C Minor | 1 | 5A | 74 BPM | ||
| Being Time | Reganbogen | A Minor | 0 | 8A | 113 BPM | ||
| Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | ||
| party 4 u | Peter Gregson | E Major | 0 | 12B | 86 BPM | ||
| Bright Edge Deep: Wicklow Also | Sarah Neutkens, Alma Quartet Amsterdam | F Minor | 0 | 4A | 72 BPM | ||
| Vermont Counterpoint | Steve Reich, Anne Parisot, Delphine Roche | A Minor | 3 | 8A | 116 BPM | ||
| Dream | John Cage, Bruce Brubaker | C Minor | 0 | 5A | 69 BPM | ||
| Carbon Date Piano | Ernst Reijseger | F Major | 0 | 7B | 134 BPM | ||
| Alice | Shida Shahabi | A Major | 1 | 11B | 87 BPM |