John Addison's ' "Britannia Rules" was released on its scheduled release date, 1963. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 17 in the song's album "Tom Jones". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Canada. Based on our statistics, Britannia Rules's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Britannia Rules by John Addison having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Falcon Crest | Mark Ayres | A Minor | 5 | 8A | 112 BPM | ||
| Sleuth: Overture | John Addison, Rumon Gamba, BBC Concert Orchestra | C Major | 2 | 8B | 93 BPM | ||
| Doggy Steps | Jacob Ter Veldhuis, Annelie de Man, Tiziana Pintus, John Addison, Roderik de Man | F Minor | 1 | 4A | 177 BPM | ||
| The Pensione Bertollini | Richard Robbins, Richard Robbins And Orchestra, Orchestra | A♭ Major | 1 | 4B | 126 BPM | ||
| The Alfred Hitchcock Theme | Frank Chacksfield & His Orchestra | D Major | 2 | 10B | 108 BPM | ||
| Schlage doch, gewünschte Stunde, BWV 53 | Terence Deadman, Phillip Bell, John Addison, Sharon Eckman, Lawrence Wallington, Simon Preece, Martin Nelson, Maida Vale Singers, Ieuan Jones, Glen Capra, Christopher Dee | E♭ Major | 0 | 5B | 168 BPM | ||
| The Magnificent Seven: Main Titles And Calvera's Visit: Allegro Con Fuoco | Phoenix Symphony, James Sedares | D Minor | 4 | 7A | 83 BPM | ||
| All Creatures Great and Small | Johnny Pearson | D Major | 4 | 10B | 112 BPM | ||
| Funeral / Exit | Mario Nascimbene, Mario Nascimbene Studio Orchestra | F Major | 2 | 7B | 69 BPM | ||
| Transylvanian March and Embassy Waltz from 'My Fair Lady': Transylvanian March and Embassy Waltz from 'My Fair Lady' | Frederick Loewe, John Wilson, Sinfonia Of London | E Major | 1 | 12B | 68 BPM | ||
| Amarcord | Nino Rota, Carlo Savina | B Minor | 3 | 10A | 130 BPM | ||
| Il grande duello, per flauto e orchestra d’archi | Luis Bacalov, Massimo Mercelli, Orchestre royal de chambre de Wallonie, Vahan Mardirossian | A Minor | 1 | 8A | 102 BPM | ||
| Piano Concertino: II. Andante grazioso | John Addison, Simon Callaghan, BBC National Orchestra Of Wales, William Boughton | B♭ Major | 1 | 6B | 98 BPM | ||
| Casablanca - Suite | Max Steiner | E♭ Major | 2 | 5B | 83 BPM | ||
| Father Brown (From "Father Brown") | Debbie Wiseman, The Orchestra of the Guildhall School | G Minor | 2 | 6A | 116 BPM | ||
| Do-Re-Mi | Living Strings | C Major | 3 | 8B | 129 BPM | ||
| Ritmos Crecientes | Las Guerreras | E Major | 1 | 12B | 77 BPM | ||
| John Clare's Journey: XXXIII. I Am | Terence Deadman, Phillip Bell, John Addison, Sharon Eckman, Lawrence Wallington, Simon Preece, Martin Nelson, Maida Vale Singers, Ieuan Jones, Glen Capra, Christopher Dee | A♭ Major | 0 | 4B | 128 BPM | ||
| Pyramid Dance (Heart Of Stone) - From "Goldilocks" Musical | Leroy Anderson | B♭ Minor | 3 | 3A | 77 BPM | ||
| Swashbuckler: Suite | John Addison, Rumon Gamba, BBC Concert Orchestra | D♭ Major | 0 | 3B | 65 BPM | ||
| Solace - The Sting/Soundtrack Version (Orchestra Version) | Marvin Hamlisch | F Major | 2 | 7B | 108 BPM | ||
| Where Is Mr. Barrie? - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 2 | 8B | 134 BPM | ||
| The Warner Bros. Fanfare / Merrily We Roll Along (The Merrie Melodies Theme) | George Daugherty, Sydney Symphony Orchestra | G Major | 9 | 9B | 80 BPM | ||
| Captain Coram's Kids: Here in the pleasant Court Room | Michael Hurd, John Addison, New London Children's Choir, The New London Orchestra, Ronald Corp | G Major | 0 | 9B | 110 BPM | ||
| The Big Country | Jerome Moross | G Major | 3 | 9B | 68 BPM |