Piano Concertino: II. Andante grazioso by John Addison, Simon Callaghan, BBC National Orchestra Of Wales, William Boughton Song Details

"Piano Concertino: II. Andante grazioso" by John Addison, Simon Callaghan, BBC National Orchestra Of Wales, William Boughton had its release date on May 2, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 14 in British Piano Concertos, Vol. 3 by Simon Callaghan, BBC National Orchestra Of Wales, William Boughton. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Piano Concertino: II. Andante grazioso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Piano Concertino: II. Andante grazioso by John Addison, Simon Callaghan, BBC National Orchestra Of Wales, William Boughton is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -22.079 dB
Acousticness: 99%
Danceability: 30%
Energy: 8%
Instrumentalness: 69%
Liveness: 19%
Loudness: 63%
Speechiness: 4%
Valence: 4%

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