"Kirin" by Peter Machajdik, Mayuko Kida had its release date on December 1, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Peter Machajdik's "Machajdík: Deserted Tracks" album is number 1 out of 18. Based on our statistics, Kirin's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kirin by Peter Machajdik, Mayuko Kida to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lavender Field | Karen Tanaka, Signe Bakke | G Major | 0 | 9B | 197 BPM | ||
| Cadenza für Violine und Klavier | Sophia Jani, Clarissa Bevilacqua, Martina Consonni | E Minor | 0 | 9A | 76 BPM | ||
| Augenblicke einer Serenade | Valentin Silvestrov, Anja Lechner | D Major | 0 | 10B | 90 BPM | ||
| Quant ien congneu a ma pensee | Tarkovsky Quartet, François Couturier, Anja Lechner | G Minor | 0 | 6A | 63 BPM | ||
| Stay in the Dark | Lambert, Lavinia Meijer | C Minor | 0 | 5A | 54 BPM | ||
| Urban March (Shadow) | Meredith Monk, Bruce Brubaker, Ursula Oppens | G Major | 1 | 9B | 82 BPM | ||
| Deo Gratias, canon 36 voices | Johannes Ockeghem, Bl!ndman | B♭ Minor | 0 | 3A | 65 BPM | ||
| A Faded Memory | Blue CoffeeBean | A♭ Minor | 1 | 1A | 51 BPM | ||
| Ruffle | Iva Bittová, Marilyn Crispell, Benedicte Maurseth, David Rothenberg | D Major | 1 | 10B | 112 BPM | ||
| Oil On Canvas, 2000 | Ryoka Hagiwara | A♭ Minor | 1 | 1A | 51 BPM | ||
| Horror | Sky Melody | A♭ Minor | 1 | 1A | 51 BPM | ||
| IV. Movement | Vladimir Martynov, Tatiana Grindenko | A Major | 2 | 11B | 67 BPM | ||
| Miniature No. 1 | Jette Mogensen | A Minor | 0 | 8A | 69 BPM | ||
| Midday Tumble | Whispurr | G Major | 1 | 9B | 84 BPM | ||
| Trysting Fields | Gidon Kremer | C Minor | 1 | 5A | 79 BPM | ||
| Part VII: Haunting Echoes | Claude Pendereich | D Minor | 2 | 7A | 91 BPM | ||
| The Last One | Chicco Birds | B♭ Minor | 0 | 3A | 75 BPM | ||
| Multi-Music Canada for Orchestra: I. Genesis - Live | Maya Badian, Gheorghe Mustea, National Symphony Orchestra of Teleradio-Moldova | D♭ Major | 2 | 3B | 90 BPM | ||
| Kyrie | Euan Stevenson, Julia Doyle | F Major | 2 | 7B | 81 BPM | ||
| 5 Mirrors: No. 2. — | Peter Machajdik, Boris Lenko | B Minor | 0 | 10A | 130 BPM | ||
| Golden Brown | Estoria | A♭ Minor | 1 | 1A | 51 BPM | ||
| Nocturne I | Jane Antonia Cornish, Decoda | G Minor | 1 | 6A | 85 BPM | ||
| Banish Sorrow | Gavin Bryars, Ida Toninato, Jennifer Thiessen, Jean-Christophe Lizotte, Njo Kong Kie | F Major | 1 | 7B | 102 BPM | ||
| Cello Counterpoint: 2. Slow | Steve Reich, Peter Gregson | E♭ Minor | 1 | 2A | 73 BPM | ||
| On the Seven Colors of Light: It is finished | Peter Machajdik, Carson Cooman | A Major | 0 | 11B | 71 BPM |