Comedian Harmonists's ' "Veronika, der Lenz ist da - 1990 Digital Remaster" was released on its scheduled release date, January 1, 1990. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Veronika, der Lenz ist da - 1990 Digital Remaster's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Comedian Harmonists's "Liebeling, Mein Herz Lässt Dich Grüssen" album is number 1 out of 12. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Veronika, der Lenz ist da - 1990 Digital Remaster's popularity is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Veronika, der Lenz ist da - 1990 Digital Remaster by Comedian Harmonists to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hurra, wir sterben | Georg Kreisler, Ursula Oberst, Fritz Stavenhagen, Elena Manta, Mathias Lange | C Minor | 4 | 5A | 77 BPM | ||
| Ach das könnte schön sein | Wolfgang Neuss, Wolfgang Müller | C Major | 4 | 8B | 62 BPM | ||
| Baby es regnet doch | Heinz Erhardt | G Minor | 3 | 6A | 147 BPM | ||
| Die Dreigroschenoper: Akt II, Die Zuhälterballade ("In einer Zeit, die nun vergangen ist") | Kurt Weill, Erich Schellow, Wolfgang Neuss, Lotte Lenya, Wilhelm Brückner-Rüggeberg | G Major | 1 | 9B | 130 BPM | ||
| Adieu, mein kleiner Gardeoffizier (und eines Tages mit Sang und Klang) | Richard Tauber | E♭ Major | 3 | 5B | 119 BPM | ||
| Der Staatsbeamte | Georg Kreisler, Barbara Peters | E♭ Major | 2 | 5B | 122 BPM | ||
| Ananas aus Caracas - Mambo | Vico Torriani | D Major | 7 | 10B | 116 BPM | ||
| Leben ohne Liebe kannst du nicht (From "Morocco") | Marlene Dietrich | G Minor | 3 | 6A | 127 BPM | ||
| Mit Musik geht alles besser | Rudi Schuricke | C Major | 3 | 8B | 99 BPM | ||
| In einem kleinen Nachtlokal | Greta Keller | G Minor | 1 | 6A | 84 BPM | ||
| Oh ja - oh nein | Evelyn Künneke | G Minor | 3 | 6A | 98 BPM | ||
| Morgens bin ich immer müde | Trude Herr | D Minor | 4 | 7A | 139 BPM | ||
| Tante Hedwig | Heinz Erhardt | B♭ Major | 3 | 6B | 115 BPM | ||
| Die Dreigroschenoper: Kanonen-Song | Kurt Weill, Wolfgang Reichmann, Rias-Sinfonietta Berlin, John Mauceri | D♭ Minor | 3 | 12A | 96 BPM | ||
| Guten Tag, Liebes Glück | Lilian Harvey | G Minor | 3 | 6A | 127 BPM | ||
| Die Nacht ist nicht allein zum Schlafen da | Ulrich Tukur & Die Rhythmus Boys | C Major | 5 | 8B | 115 BPM | ||
| Meisenmann | Helge Schneider | E Minor | 5 | 9A | 112 BPM | ||
| Zu leise für mich | Georg Kreisler | C Minor | 1 | 5A | 104 BPM | ||
| Das Herz von St Pauli | Hans Albers | G Minor | 3 | 6A | 127 BPM | ||
| Wir Machen Musik | Ilse Werner | G Minor | 3 | 6A | 127 BPM | ||
| Die heiße Schlacht am kalten Büffet | Reinhard Mey | E Minor | 4 | 9A | 75 BPM | ||
| Ich will keine Schokolade | Trude Herr | G Major | 7 | 9B | 81 BPM | ||
| Eine kleine Frühlingsweise | Comedian Harmonists | G Minor | 3 | 6A | 127 BPM | ||
| Sugar-Baby | Peter Kraus | C Major | 6 | 8B | 120 BPM | ||
| Kanonensong (1.Akt) (In der Erinnerung an ihre gem | Bertolt Brecht, Kurt Weill | D♭ Minor | 3 | 12A | 100 BPM |