"Turkiye (Turkey): I. Animato, ma non troppo" by Cemal Reşit Rey, Budapest Symphony Orchestra, Hikmet Şimşek had its release date on July 15, 2014. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Rey: Turkey / Scenes From Turkey / Saygun: Meditations On Men 1". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hungary. In terms of popularity, Turkiye (Turkey): I. Animato, ma non troppo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turkiye (Turkey): I. Animato, ma non troppo by Cemal Reşit Rey, Budapest Symphony Orchestra, Hikmet Şimşek having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Muhsin Bey | Erkin Arslan | A Minor | 1 | 8A | 168 BPM | ||
| 10.Yıl Marşı (29 Ekim 1933) | Cemal Reşit Rey, Sound Office | A♭ Major | 1 | 4B | 110 BPM | ||
| Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: II. Largo | George Frideric Handel, Iona Brown, Jonathan Rees, Academy of St. Martin in the Fields | D Minor | 3 | 7A | 129 BPM | ||
| Orientale No. 9, Op. 50 from Kaleidoscope | César Cui, Midori, Robert McDonald | G Minor | 1 | 6A | 106 BPM | ||
| 7 Folk Songs: No. 2, Camdan sakiz akiyor | Ulvi Cemal Erkin, Mustafa Iktu, Budapest Symphony Orchestra, Hikmet Şimşek | D Major | 1 | 10B | 83 BPM | ||
| Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM | ||
| Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
| Umut - Hope | Fahir Atakoğlu | F♯ Minor | 3 | 11A | 103 BPM | ||
| Osmanlı Sergi Marşı | Emre Aracı | D Minor | 1 | 7A | 179 BPM | ||
| Waltz by the River | Eleni Karaindrou, Maria Bildea, Sergiu Nastasa, Renato Ripo, Vangelis Christopoulos, Spyros Kazianis, Antonis Lagos, Dinos Hadjiiordanou, Camerata, Friends Of Music Orchestra | D Minor | 1 | 7A | 135 BPM | ||
| Chopin: Nocturne No. 20 in C-Sharp Minor, Op. posth. | Frédéric Chopin, Fazıl Say | D♭ Minor | 0 | 12A | 70 BPM | ||
| Sarasate: Caprice basque, Op. 24 | Pablo de Sarasate, Maxim Vengerov, Itamar Golan | A Minor | 1 | 8A | 84 BPM | ||
| Beklenen Şarkı | Limak Filarmoni Orkestrası, Murat Karahan, Rengim Gökmen | E Minor | 3 | 9A | 126 BPM | ||
| Sylvia: Act I: Prelude | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 61 BPM | ||
| Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
| Scenes turques: IV. Yaruk Zeybek Havasi | Cemal Reşit Rey, Budapest Symphony Orchestra, Hikmet Şimşek | D Minor | 3 | 7A | 95 BPM | ||
| Elegie, Op. 24 | Gabriel Fauré, Maria Kliegel, Nina Tichman | A♭ Major | 0 | 4B | 72 BPM | ||
| The Snowstorm: I. Troika | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra | G Minor | 1 | 6A | 111 BPM | ||
| Misket | Mesut Iktu | C Major | 4 | 8B | 111 BPM | ||
| Halvorsen: Passacaglia (After Handel's Keyboard Suite, HWV 432) | Johan Halvorsen, Itzhak Perlman, Pinchas Zukerman | G Minor | 2 | 6A | 109 BPM | ||
| Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | G Major | 1 | 9B | 121 BPM | ||
| Carmen Suite No. 2: Habanera. Allegretto quasi Andantino (Act I) - 2017 Remastered Version | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 125 BPM | ||
| Ulysses' Gaze: XV. Ulysses' Theme – Lento – Largo | Eleni Karaindrou, Kim Kashkashian, Lefteris Chalkiadakis, String Orchestra | C Minor | 1 | 5A | 78 BPM | ||
| Yiğidim Aslanım | Jamal Aliyev | C Minor | 1 | 5A | 95 BPM | ||
| In Chassidic Mood: Suite in Five Movements: I. Andante con moto | Giora Feidman, Markus Poschner, The Safad Chamber Orchestra | B♭ Minor | 0 | 3A | 103 BPM |