Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: II. Largo by George Frideric Handel, Iona Brown, Jonathan Rees, Academy of St. Martin in the Fields Song Details

On January 1, 1988, the song "Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: II. Largo" was released by George Frideric Handel, Iona Brown, Jonathan Rees, Academy of St. Martin in the Fields. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: II. Largo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown's "Händel: Concerti grossi, Op. 3" album is number 5 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: II. Largo's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

We consider the tempo marking of Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: II. Largo by George Frideric Handel, Iona Brown, Jonathan Rees, Academy of St. Martin in the Fields to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Music Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 16%
Loudness: -17.513 dB
Acousticness: 98%
Danceability: 62%
Energy: 32%
Instrumentalness: 89%
Liveness: 7%
Loudness: 71%
Speechiness: 5%
Valence: 95%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: IV. Bourrée	Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields	G Major	4	9B	91 BPM
II. A tempo giusto	George Frideric Handel, Nils-Erik Sparf, Tullo Galli, Kari Ottesen, Drottningholm Baroque Ensemble, Anders Öhrwall	F♯ Minor	1	11A	123 BPM
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo	Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra	F Major	0	7B	133 BPM
Oboe Concerto in B Flat Major, Op. 7 No. 3: II. Adagio	London Harpsichord Ensemble, Sarah Francis	G Minor	2	6A	72 BPM
Sonata in D Major, No. 1: IV. Adagio	Arcangelo Corelli, Lucy van Dael, Bob van Asperen	B♭ Minor	1	3A	96 BPM
Andante in F Minor (Arr. L. Lencses)	Gaetano Donizetti, Lajos Lencsés, Stuttgart Arcata Chamber Orchestra, Patrick Strub	F Minor	1	4A	63 BPM
Overture (Suite) In G Minor, TWV 55: G4: III. Les Irresoluts	Cologne Chamber Orchestra, Georg Philipp Telemann	G Minor	1	6A	82 BPM
Giulio Cesare in Egitto, HWV 17 / Atto terzo: No. 39 Duetto "Caro, più amabile beltà" - Live	George Frideric Handel, Magdalena Kožená, Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski	F♯ Major	1	2B	120 BPM
III. Aria	John Rutter, Christopher D. Lewis, John McMurtery, West Side Chamber Orchestra, Kevin Mallon	E Minor	0	9A	117 BPM
Keyboard Sonata in D Minor, Kk. 1	Domenico Scarlatti, Ivo Pogorelich	D Minor	1	7A	107 BPM
Concerto for Harp and Orchestra in C: 2. Andante lento	François-Adrien Boieldieu, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown	C Major	1	8B	93 BPM
La Nuit Ballet: Le Roi représentant le soleils levant	Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel	F♯ Minor	1	11A	111 BPM
Concerto grosso No. 5 in D Minor: I. Largo (After D. Scarlatti)	Charles Avison, Avison Ensemble, Pavlo Beznosiuk	E Minor	2	9A	140 BPM
Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski)	Arcangelo Corelli, Matthias Bamert, BBC Philharmonic	G Minor	0	6A	175 BPM
Céphale et Procris, Act III Scene 3: Passacaille	Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis	C Major	2	8B	78 BPM
Concerto Grosso In F Minor, Op. 1, No. 8: I. Largo - Grave - Vivace - Grave	Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon	A Minor	1	8A	117 BPM
Gondol Şarkısı	Emre Aracı	E Minor	1	9A	68 BPM
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato	Alessandro Marcello, Marcel Ponseele, Il Gardellino	D Minor	2	7A	122 BPM
Symphony No. 4 in F Major: 1. Allegro	William Boyce, Academy of Ancient Music, Christopher Hogwood	E Major	2	12B	95 BPM
Romance in F major, Op. 50	Ludwig van Beethoven, Karol Teutsch, Orchestre de chambre Leopoldinum de Wroclaw	D Major	2	10B	96 BPM
Suite in D Minor: 2. Sarabande	Louis Couperin, Christopher Hogwood	D♭ Minor	1	12A	140 BPM
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto	Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra	B♭ Major	1	6B	131 BPM
Trio Sonata in E Minor: I. Grave	Johann Rosenmüller, Anna Holbling, Quido Holbling, Jozef Zsapka	E Minor	0	9A	175 BPM
Concerto in C Minor: III. Siciliana	Domenico Cimarosa, John Anderson, Simon Wright, Philharmonia Orchestra	A Minor	1	8A	77 BPM
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio	Alessandro Marcello, Venice Baroque Orchestra	D♭ Minor	0	12A	79 BPM