III. Aria by John Rutter, Christopher D. Lewis, John McMurtery, West Side Chamber Orchestra, Kevin Mallon Song Details

"III. Aria" by John Rutter, Christopher D. Lewis, John McMurtery, West Side Chamber Orchestra, Kevin Mallon had its release date on September 3, 2013. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Christopher D. Lewis, Kevin Mallon, West Side Chamber Orchestra's "Glass - Rutter - Francaix: Harpsichord Concertos" album is number 3 out of 15. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, III. Aria is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of III. Aria by John Rutter, Christopher D. Lewis, John McMurtery, West Side Chamber Orchestra, Kevin Mallon to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Music Key

This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -25.99 dB
Acousticness: 90%
Danceability: 27%
Energy: 5%
Instrumentalness: 48%
Liveness: 12%
Loudness: 57%
Speechiness: 5%
Valence: 8%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Concerto for Harp and Orchestra in C: 2. Andante lento	François-Adrien Boieldieu, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown	C Major	1	8B	93 BPM
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Concerto Grosso in G Minor, Op. 3, No. 10: II. Allegro	Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek	G Minor	2	6A	82 BPM
Concerto Grosso in B-Flat Major, Op. 3, No. 2, HWV 313: II. Largo	George Frideric Handel, Royal Northern Sinfonia, Bradley Creswick	G Minor	1	6A	77 BPM
Telemann: Flute Concerto in G Major, TWV 51:G2: II. Vivace	Georg Philipp Telemann, Emmanuel Pahud, Berliner Barock Solisten, Rainer Kussmaul	G Major	2	9B	113 BPM
Suite from The Victorian Kitchen Garden: I. Prelude	Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra	B♭ Major	0	6B	93 BPM
Symphony in G Major, Bryan G6: II. Andante molto grazioso	Johann Baptist Vanhal, Toronto Chamber Orchestra, Kevin Mallon	D Major	0	10B	74 BPM
Miniature Dance Suite, Op. 124: Jig	Cecil Armstrong Gibbs, Royal Ballet Sinfonia, David Lloyd-Jones	G Major	1	9B	71 BPM
III. Aria	John Rutter, Christopher D. Lewis, John McMurtery, West Side Chamber Orchestra, Kevin Mallon	E Minor	0	9A	117 BPM
Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski)	Arcangelo Corelli, Matthias Bamert, BBC Philharmonic	G Minor	0	6A	175 BPM
Corelli: Concerto grosso in D Major, Op. 6 No. 7: I. Vivace - Allegro - Adagio	Arcangelo Corelli, Claudio Scimone, I Solisti Veneti	D Minor	2	7A	147 BPM
Concerto for Oboe and Strings in C Minor: I. Introduzione: Larghetto	Domenico Cimarosa, François Leleux	C Minor	1	5A	117 BPM
A Fugal Concerto, Op. 40, No. 2: I. Moderato	Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths	D Major	2	10B	105 BPM
English Pastoral Impressions: I. Spring Morning	John Farrar, Alasdair Mitchell, Philharmonic Orchestra, Howard Shelley	E♭ Major	0	5B	101 BPM
Danse des Lutins	Henriette Renié, Judy Loman	E♭ Minor	1	2A	89 BPM
Violin Concerto in D Major, Op. 3, No. 1: Adagio	Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon	D Minor	0	7A	96 BPM
Oboe Concerto in F Minor, TWV 51:F2: III. Vivace	Georg Philipp Telemann, Marcel Ponseele, Il Gardellino	A Minor	1	8A	159 BPM
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	C Major	3	8B	108 BPM
Suite Antique for flute, strings and harpsichord: Aria	John Rutter, Arco Baleno Ensemble	E Minor	1	9A	125 BPM
Oboe Concerto in B-Flat Major, Op. 9, No. 11: I. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	B♭ Major	3	6B	104 BPM
Le Tombeau de Couperin, M. 68: V. Menuet (Arr. for Oboe and Orchestra by Joachim Schmeißer)	Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša	G Major	0	9B	97 BPM
Sarabande and Courante from Auf meinen lieben Gott, BuxWV 179 (Arr. Leopold Stokowski)	Dietrich Buxtehude, Matthias Bamert, BBC Philharmonic, Cynthia Millar	E Major	2	12B	118 BPM
II. Carol	Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei	C Minor	0	5A	128 BPM
Symphony in D Minor, J-C 23: III. Presto	Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon	D♭ Major	1	3B	131 BPM