"...Now What?" by Geoff Zanelli had its release date on January 1, 2012. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. ...Now What?'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "The Odd Life of Timothy Green". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. ...Now What? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With ...Now What? by Geoff Zanelli having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Day with Izzy | Adam Taylor | D♭ Minor | 2 | 12A | 132 BPM | ||
| The Boys Move In | John Debney | C Major | 2 | 8B | 106 BPM | ||
| On Course | Johan Söderqvist, Hans Ek, Philharmonia Orchestra | G Minor | 0 | 6A | 108 BPM | ||
| Journey to the Mountains | Barnaby Taylor | B Minor | 3 | 10A | 72 BPM | ||
| Separations | Roque Baños | F Minor | 0 | 4A | 67 BPM | ||
| This Garden Is Taking Forever | Anne Niktin | D Minor | 1 | 7A | 130 BPM | ||
| We Keep in Touch, Okay ? | Ralf Wengenmayr | G Major | 0 | 9B | 73 BPM | ||
| Most Ardently in Love | Samuel Sim | G Minor | 2 | 6A | 153 BPM | ||
| Love, Rosie | Ralf Wengenmayr | D Major | 3 | 10B | 83 BPM | ||
| Airlock | Steven Price | F Major | 0 | 7B | 70 BPM | ||
| Hand on Knee | Andrew Lockington | D Major | 2 | 10B | 121 BPM | ||
| Travel Montage | John Debney | D Major | 2 | 10B | 102 BPM | ||
| Time to Come Home | Geoff Zanelli | C Major | 1 | 8B | 78 BPM | ||
| The Loss of Yours | Adrian Johnston | D Minor | 1 | 7A | 86 BPM | ||
| Let's Go, No Need To Wait | Fernando Velázquez | E♭ Minor | 0 | 2A | 105 BPM | ||
| Opening Titles | Christian Henson | A♭ Major | 2 | 4B | 137 BPM | ||
| Don't Let Go | Adam Taylor | B♭ Major | 1 | 6B | 180 BPM | ||
| Coins | Deborah Lurie | G Major | 2 | 9B | 71 BPM | ||
| You Are The Best Of Me - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | E♭ Major | 2 | 5B | 88 BPM | ||
| Reprise | Ralf Wengenmayr | G Major | 0 | 9B | 79 BPM | ||
| Flatbed Romance | Tree Adams | C Major | 0 | 8B | 82 BPM | ||
| Family Reunion | Henry Jackman | D♭ Major | 7 | 3B | 120 BPM | ||
| The World Has Left Us Behind | Samuel Sim | G Major | 0 | 9B | 66 BPM | ||
| John And Savannah - Live | Deborah Lurie | E Major | 2 | 12B | 153 BPM | ||
| A Big Day Ahead | Ari Posner, Amin Bhatia | G Major | 2 | 9B | 122 BPM |