Underoath's 'Too Bright To See, Too Loud To Hear' had a release date set for January 1, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Underoath's "Lost In The Sound Of Separation" album is number 10 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, Too Bright To See, Too Loud To Hear's popularity is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Too Bright To See, Too Loud To Hear by Underoath to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| All Nereids Beware | Chiodos | G Minor | 8 | 6A | 102 BPM | ||
| Inner Pattern | Beloved | F♯ Minor | 10 | 11A | 86 BPM | ||
| Young And Aspiring | Underoath | E Minor | 10 | 9A | 180 BPM | ||
| Breather II. | Oceana | G Major | 10 | 9B | 123 BPM | ||
| Cutthroat Collapse | Emery | E♭ Minor | 10 | 2A | 180 BPM | ||
| To the Sun | Grandview | E Minor | 5 | 9A | 132 BPM | ||
| The Truth About Heaven | Armor For Sleep | D Major | 9 | 10B | 92 BPM | ||
| You Carried Me While We Buried You | Akissforjersey | E Major | 9 | 12B | 91 BPM | ||
| Hey Nightmare, Where Did You Get Them Teeth? | A Skylit Drive | E Minor | 8 | 9A | 77 BPM | ||
| Notes In Constellations | Chiodos | G Minor | 9 | 6A | 133 BPM | ||
| Ohio Is For Lovers | Hawthorne Heights | A♭ Minor | 8 | 1A | 170 BPM | ||
| To a Friend | Alexisonfire | E Minor | 8 | 9A | 86 BPM | ||
| Hello Astronaut | Oceana | A Major | 10 | 11B | 155 BPM | ||
| Robots 3 Humans 0 | Norma Jean | F♯ Major | 10 | 2B | 148 BPM | ||
| Too Bright To See, Too Loud To Hear | Underoath | G Minor | 8 | 6A | 120 BPM | ||
| Don’t Jump The Shark Before You Save The Whale | Broadway, Jonny Craig (of Emarosa) | E Minor | 10 | 9A | 170 BPM | ||
| Fight Song | The Appleseed Cast | A♭ Minor | 8 | 1A | 138 BPM | ||
| The Grey | Movements | D♭ Minor | 9 | 12A | 146 BPM | ||
| Act One, Scene One | The Fall of Troy | C Major | 8 | 8B | 118 BPM | ||
| Pens And Needles | Hawthorne Heights | D♭ Minor | 10 | 12A | 161 BPM | ||
| F.C.P.S.I.T.S.G.E.P.G.E.P.G.E.P. | The Fall of Troy | A Minor | 9 | 8A | 147 BPM | ||
| Basement Ghost Singing | Armor For Sleep | B Minor | 9 | 10A | 133 BPM | ||
| Lilacs & Lolita | From Autumn To Ashes | G Major | 10 | 9B | 168 BPM | ||
| No Transitory | Alexisonfire | F Minor | 9 | 4A | 97 BPM | ||
| Disconnecktie: The Faithful Vampire | Norma Jean | F♯ Major | 9 | 2B | 151 BPM |