Rajbnus Murmu, Amrita Monalisa Soren's ' "Nowa Mone" was released on its scheduled release date, February 24, 2024. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Nowa Mone and no other songs are present in the album, we classify this track as a single. Furthermore, we believe that the track originated from United States. Based on our statistics, Nowa Mone's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Nowa Mone by Rajbnus Murmu, Amrita Monalisa Soren having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bikashita Heba Ama Odisha | Sourav Bharadwaj, Somesh Satpathy, RANJAN NAYAK | B Major | 7 | 1B | 116 BPM | ||
| MAIN JINDA HU LEKIN | Aparna Official | A♭ Minor | 3 | 1A | 100 BPM | ||
| Lakhote Ejoni | Zubeen, Tulika | G Major | 6 | 9B | 81 BPM | ||
| Oi Aapi | Kumar Tapan Rabha, Renu R Sutradhar | D Major | 7 | 10B | 140 BPM | ||
| Khani Songdari | Manik Debbarma, Rahel Kalai | A Minor | 7 | 8A | 90 BPM | ||
| Mankha Tini | Swkang Debbarma, Pramita Reang | C Major | 6 | 8B | 130 BPM | ||
| Nono khatango | Bipasha Reang, Sanjoy Debbarma | A Major | 6 | 11B | 106 BPM | ||
| O Sajna | Sabita Sharma Goswami | A♭ Major | 6 | 4B | 155 BPM | ||
| Adhura Khwaab | Anup Bading | G Major | 3 | 9B | 158 BPM | ||
| Moy Kaho Na - Nagpuri | Subham Lakra, Ashish Tigga | F Major | 9 | 7B | 78 BPM | ||
| Chale to Kat hi jaayega | Aniketan Kumar | B♭ Major | 9 | 6B | 150 BPM | ||
| Chanda Sa Chehra | Ritesh Nayak, Ashrita kumari | A Major | 6 | 11B | 104 BPM | ||
| Xoru Xoru Mon | Montu Moni Saikia, Diya Das | B Major | 6 | 1B | 125 BPM | ||
| Pati Lua Bhaiti (From "Nang Seng Vol-3 2025") | Rajnahan, Barshana Chetia, Sanjeeb Akash, Bhaskar Neelom | F Major | 9 | 7B | 159 BPM | ||
| Harmukh Bartal 2.0 | Jaan Nissar Lone, Sniti Mishra | C Major | 5 | 8B | 134 BPM | ||
| Dei De No Jagah Thoda | Lakhya Jyoti Munda, Jyotika Baruah | F♯ Major | 6 | 2B | 136 BPM | ||
| Maruchi To Pain To Pageli | Amrita Nayak, Shubhransu Nayak | D♭ Minor | 7 | 12A | 159 BPM | ||
| Bacha Kasam Dhatera | Bimal Adhikari, Samikshya Adhikari | B♭ Major | 6 | 6B | 74 BPM | ||
| Phekjak Bwkha | Manik Debbarma, Urbashi Tripura | B♭ Minor | 6 | 3A | 110 BPM | ||
| Sahanai - From "Wife" | Satyajeet Pradhan, Ira Mohanty, Bijay Malla, Malaya Mishra | D♭ Minor | 8 | 12A | 116 BPM | ||
| Je Kandon Kandaila | Omar Faruk, Rabiya Khatun | C Minor | 9 | 5A | 116 BPM | ||
| Tui Agajw Saan | Supen Chakma | C Major | 4 | 8B | 120 BPM | ||
| Nayane Sehera Tor | Amrit Tanti, Devi Kishan | E Major | 8 | 12B | 140 BPM | ||
| Gamkharu Thuriya | Chandra Kr. Patgiri, Rupali Payeng | E♭ Major | 7 | 5B | 180 BPM | ||
| Nungbai Tongnai Thuiya Hani | BRR Bru, Pinki Chakma | G Major | 7 | 9B | 105 BPM |