Suite No. 6 in G Major, R. 126-134: VI. Menuet - Trio, R. 131 by Gottlieb Muffat, Mitzi Meyerson Song Details

"Suite No. 6 in G Major, R. 126-134: VI. Menuet - Trio, R. 131" by Gottlieb Muffat, Mitzi Meyerson had its release date on January 1, 2009. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gottlieb Muffat, Mitzi Meyerson's "Muffat, G.: Componimenti Musicali Per Il Cembalo" album is number 22 out of 51. On top of that, Spain appears to be the country where this track was created. Suite No. 6 in G Major, R. 126-134: VI. Menuet - Trio, R. 131 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Suite No. 6 in G Major, R. 126-134: VI. Menuet - Trio, R. 131 by Gottlieb Muffat, Mitzi Meyerson to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.

Music Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -34.923 dB
Acousticness: 99%
Danceability: 15%
Energy: 1%
Instrumentalness: 78%
Liveness: 6%
Loudness: 42%
Speechiness: 4%
Valence: 6%

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