Tita Merello's ' "Con El Tango En El Alma" was released on its scheduled release date, January 1, 2000. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Con El Tango En El Alma's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 14 in Con El Tango En El Alma by Tita Merello. Based on our statistics, Con El Tango En El Alma's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Con El Tango En El Alma by Tita Merello is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Remembranza | La Juan D'Arienzo | C Major | 4 | 8B | 135 BPM | ||
| Oda A Perón | Alberto Marino | E Minor | 5 | 9A | 120 BPM | ||
| Pucherito de gallina | Rodrigo de la Serna y El Yotivenco | F♯ Major | 2 | 2B | 125 BPM | ||
| Caricias | Angel D'Agostino | C Major | 6 | 8B | 118 BPM | ||
| El Viejo Vals | Francisco Rotundo | C Major | 6 | 8B | 118 BPM | ||
| Garufa | Paco Medina | G Major | 2 | 9B | 59 BPM | ||
| Cancion desesperada | Enrique Santos Discépolo | F Minor | 2 | 4A | 100 BPM | ||
| Tal vez será su voz | Lidia Borda, Orquesta El Arranque | G Major | 3 | 9B | 83 BPM | ||
| Milonga Lunfarda | Rodrigo de la Serna y El Yotivenco | E Minor | 5 | 9A | 97 BPM | ||
| Para Que Te Quiero Tanto | Domingo Federico | C Major | 6 | 8B | 118 BPM | ||
| Tu Corazón | Nina Miranda, Donato Racciatti y Su Orquesta Típica | G Minor | 5 | 6A | 135 BPM | ||
| El Firulete (with Leopoldo Federico y Su Orquesta) | Julio Sosa, Leopoldo Federico y su Orquesta | A♭ Major | 7 | 4B | 60 BPM | ||
| Deseo - Tango | Guillermo Fernández, Orquestra Típica, Cristian Zárate | B Minor | 4 | 10A | 97 BPM | ||
| La cancion de Buenos Aires (The Song of Buenos Aires) [1947] | Nelly Omar, Francisco Canaro & His Orchestra | F Major | 3 | 7B | 121 BPM | ||
| Uno (with Armando Pontier y su Orquesta) | Julio Sosa, Armando Pontier y su Orquesta | C Major | 6 | 8B | 112 BPM | ||
| Baldosa Floja | La Chicana | F♯ Minor | 3 | 11A | 135 BPM | ||
| De Mi Barrio | La Malí - Cerviño | G Minor | 3 | 6A | 68 BPM | ||
| Adiós Mi Barrio | Lágrima Ríos | F Major | 4 | 7B | 97 BPM | ||
| Cambalache (with Leopoldo Federico y Su Orquesta) | Julio Sosa, Leopoldo Federico y su Orquesta | C Major | 6 | 8B | 121 BPM | ||
| Vida mía | Lidia Borda, Orquesta El Arranque | G Major | 4 | 9B | 110 BPM | ||
| Historia de un amor | Argentino Ledesma | G Minor | 5 | 6A | 109 BPM | ||
| Sur | Nelly Omar | A Minor | 3 | 8A | 115 BPM | ||
| Embrujamiento | Ricardo Malerba | C Major | 6 | 8B | 118 BPM | ||
| De Puro Curda | Alfredo Belusi | G Major | 5 | 9B | 147 BPM | ||
| Ché Buenos Aires | Raul Garello | A Minor | 3 | 8A | 91 BPM |