On May 18, 2022, the song "Garbe Rame Ambe Garbe" was released by Nila Patel, Sachin Limaye, Amit Patel. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Nila Patel, Sachin Limaye, Sangita's "Garbe Ramo Non Stop Fusion Garba" album is number 3 out of 13. On top of that, India appears to be the country where this track was created. Based on our statistics, Garbe Rame Ambe Garbe's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Garbe Rame Ambe Garbe by Nila Patel, Sachin Limaye, Amit Patel to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ankhiyan Hari Darshan Ki Pyasi-Soordas Bhajan | Amrita Chaturvedi, Upadhyay | E Major | 7 | 12B | 80 BPM | ||
| Garbe Rame Ambe Garbe | Nila Patel, Sachin Limaye, Amit Patel | F Minor | 9 | 4A | 135 BPM | ||
| JAGAT KE RANG KYA DEKHU | Bhakti Bhajan | E Major | 4 | 12B | 93 BPM | ||
| Baaje Re | Alka Chandrakar | E♭ Major | 8 | 5B | 142 BPM | ||
| Baba Amar Singh Ki Mahima | Dinesh Nirwan, Rambir Gahlot | E Minor | 9 | 9A | 140 BPM | ||
| Dular Renang Topol Sagai | Sawan Murmu | D♭ Minor | 5 | 12A | 141 BPM | ||
| Shiv Amritwani Bhag 2 | Devki Pandey | F♯ Minor | 7 | 11A | 141 BPM | ||
| Aayo Faganiyo Rangilo Jhala | Sanju Sharma | D Major | 5 | 10B | 150 BPM | ||
| Mere Banke Bihari Sarkar | Baba Rasika Pagal, Chitra Vichitra | A♭ Major | 9 | 4B | 142 BPM | ||
| Mero Kanha Gulab Ko Phool | Shridhay Shri Mridul krishna shastri ji maharaj | E Major | 6 | 12B | 137 BPM | ||
| Chokhaliyali Chundadi Ma | Nila Patel, Chintan Patel, Rekha Raval, Vishnu Soni, Bhikhu Panara | F Minor | 10 | 4A | 144 BPM | ||
| Mata Anjani Ke Lal | Shikha Rana | B Minor | 8 | 10A | 130 BPM | ||
| Hum Toh Aaye | Sanjay Mittal | E♭ Minor | 4 | 2A | 132 BPM | ||
| Hey Anjani Ke Lala | Sumeet Tappoo, Mayuresh Pai, Shekhar Astitwa | F♯ Major | 2 | 2B | 110 BPM | ||
| Buru Dhare Jhur Danang | Santhali Diwana | B Major | 9 | 1B | 108 BPM | ||
| Kitna Ajeeb Mohan Kismat Ka Lekh Mera | Sanjay Mittal | E Major | 7 | 12B | 110 BPM | ||
| Shri Santoshimata | Viniti Singh | D Major | 6 | 10B | 95 BPM | ||
| Hum Hayie Nagin Tu Saperaa Humse Paar Na Payeba Ho | Kalpana Patowary, Indu Sonali | F♯ Major | 9 | 2B | 101 BPM | ||
| Kabir Amritwani | Amrita Chaturvedi | E♭ Minor | 7 | 2A | 90 BPM | ||
| Gokulma Ek Kanudo | Bhikhudan Gadhvi, Sachin Limaye, Nila Patel | F♯ Major | 8 | 2B | 165 BPM | ||
| Teri Mand Mand Muskaniya Pe Balihar Kanha Ji | Govind Ojha, Mahi Vishwakarma | F Major | 8 | 7B | 104 BPM | ||
| Runjhun Runjhun Baje Re Mor Pairi | Purvi Chandrakar | G Major | 8 | 9B | 111 BPM | ||
| Kaise Manavav Dai | Alka Chandrakar | E♭ Major | 7 | 5B | 99 BPM | ||
| Taliona Tale | Nila Patel, Sachin Limaye, Amit Patel | F Minor | 9 | 4A | 135 BPM | ||
| Krishna Bhajan - Shri Krishna Govind Hare Murari | Shailendra Bharti, Kavita Raam | D Major | 8 | 10B | 76 BPM |