Thomas Ravenscroft, Sirinu's ' "New Oysters Street Cries" was released on its scheduled release date, June 8, 2010. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 26 in Court Jesters by Sirinu. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, New Oysters Street Cries is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of New Oysters Street Cries by Thomas Ravenscroft, Sirinu is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thomas Ravenscroft: New Oysters | Thomas Ravenscroft, Deller Consort, Alfred Deller, Desmond Dupre, Gustav Leonhardt, Ambrosian Singers, Taylor Recorder Group | E♭ Minor | 3 | 2A | 70 BPM | ||
| Vespers: Lord now lettest Thou Thy servant depart | Vladislav Germanovich Agafonnikov, Russia Spiritual Revival Choir, Lev Kontorovich | G Major | 0 | 9B | 130 BPM | ||
| O nata lux de lumine | Thomas Tallis, Alamire, David Skinner | G Minor | 2 | 6A | 76 BPM | ||
| As torrents in summer | Edward Elgar, Phoenix Chorale, Christopher Gabbitas | B♭ Minor | 1 | 3A | 91 BPM | ||
| Lacrimosa son io, D. 131b | Franz Schubert, Ensemble Pygmalion, Bernarda Fink, Raphael Pichon | F Major | 1 | 7B | 131 BPM | ||
| Verily, Verily I Say unto You | Thomas Tallis, Alamire, David Skinner | D♭ Minor | 3 | 12A | 72 BPM | ||
| He That Will an Ale House Keep (Arr. for Vocal Ensemble by Peter Warlock) | Thomas Ravenscroft, Mark Brown, Michael Clarke, Bob Hunter, James Lewington, Richard Hazell | G Major | 1 | 9B | 73 BPM | ||
| None Other Lamb (Arr. for Choir by Dan Forrest) | William Jeater, Beckenhorst Singers, Craig Courtney | D Minor | 2 | 7A | 110 BPM | ||
| Adoro te, devote | Cappella | E♭ Major | 1 | 5B | 69 BPM | ||
| Here is the Man | Hilgrove Kenrick, Ǣfendrēama, Chloe May Evans | F Minor | 3 | 4A | 138 BPM | ||
| Echoes of the Lost World | Darius Lim, Voices of Singapore Children’s Choir, Gabriel Hoe, Richard Ter, Kangren Chen, Julian Li | A Minor | 2 | 8A | 71 BPM | ||
| Tallis: Blessed Are Those That Be Undefiled | The Tallis Scholars, Peter Phillips | D Major | 1 | 10B | 130 BPM | ||
| Praise, My Soul the King of Heaven: Praise, my soul, the King of Heaven | John Goss, Choir of St George's Chapel, Windsor Castle, Marlowe Brass Ensemble, Timothy Byram-Wigfield | D Major | 1 | 10B | 83 BPM | ||
| Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
| Ich liege und schlafe | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 0 | 11B | 77 BPM | ||
| In thee, O Lord | Thomas Ravenscroft, Magdalena Consort, Fretwork, William Hunt | A♭ Minor | 2 | 1A | 79 BPM | ||
| Ravenscroft: Deuteromelia: No. 13, Three Blind Mice | Thomas Ravenscroft, Consort Of Musicke | E Major | 0 | 12B | 69 BPM | ||
| The Mass: Confiteor | Patrick Cassidy, Laude, David Harris, Christoph Bull | E Minor | 2 | 9A | 75 BPM | ||
| The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
| With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
| Morgensang | Niels Wilhelm Gade, Danish National Symphony Choir, Jesper Grove Jørgensen | G Major | 0 | 9B | 132 BPM | ||
| O Salutaris Hostia | Pierre de la Rue, Netherlands Chamber Choir, Paul Van Nevel | G Major | 1 | 9B | 135 BPM | ||
| Wenn ich ein Glöcklein wär | Cantilon Chamber Choir | D Major | 0 | 10B | 81 BPM | ||
| Three Latin Motets: II. Ave, Maria | Cecilia McDowall, Phoenix Chorale, Charles Bruffy | B Major | 1 | 1B | 131 BPM | ||
| Anne Boleyn's Songbook: Tota pulchra es | Jean Mouton, Alamire, David Skinner | G Minor | 0 | 6A | 93 BPM |