Arthur Benjamin, William Primrose, Matthew Trusler, Düsseldorfer Symphoniker, Yasuo Shinozaki's ' "Jamaican Rumba (Arr. P. Ash)" was released on its scheduled release date, October 27, 2009. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Jamaican Rumba (Arr. P. Ash)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "Rozsa, M.: Violin Concerto, Op. 24 / Korngold, E.W.: Violin Concerto, Op. 35". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Jamaican Rumba (Arr. P. Ash) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Jamaican Rumba (Arr. P. Ash) by Arthur Benjamin, William Primrose, Matthew Trusler, Düsseldorfer Symphoniker, Yasuo Shinozaki having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise & Double | Johann Sebastian Bach, Emmanuel Pahud, Berliner Barock Solisten, Rainer Kussmaul | B Minor | 1 | 10A | 114 BPM | ||
| Overture in B-Flat Major, Op. 8, No. 1: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 0 | 6B | 85 BPM | ||
| North American Square Dance Suite for Two Pianos and Orchestra | Arthur Benjamin, Joshua Pierce, Dorothy Jonas, The Slovak Radio Symphony Orchestra Of Bratislava, Kirk Trevor | A Major | 3 | 11B | 83 BPM | ||
| Violin Concerto in C Major, Hob. VIIa:1: I. Allegro moderato | Joseph Haydn, Augustin Hadelich, Kolner Kammerorchester, Helmut Müller-Brühl | C Major | 1 | 8B | 75 BPM | ||
| Sinfonia in D Major: II. Andante (espressivo) | Frederick the Great, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | D Minor | 0 | 7A | 93 BPM | ||
| Jamaican Rumba | Arthur Benjamin, Vernon Handley, BBC Concert Orchestra, Martin Loveday | C Major | 1 | 8B | 143 BPM | ||
| Cello Concerto in G Major, G. 480: III. Allegro | Luigi Boccherini, Tim Hugh, Scottish Chamber Orchestra, Anthony Halstead | E Minor | 1 | 9A | 96 BPM | ||
| Gluck: Flute Concerto in G Major: II. Adagio ma non troppo | Emmanuel Pahud, Giovanni Antonini | D Major | 0 | 10B | 99 BPM | ||
| Romantic Fantasy for Violin, Viola and Orchestra: Nocturne: Lento - tranquillo e molto rubato | Arthur Benjamin, Benjamin Schmid, Daniel Raiskin, Lior Shambadal | D Minor | 1 | 7A | 93 BPM | ||
| Symphony No. 2 in C Major, Hob. I:2: I. Allegro | Joseph Haydn, Jyvaskyla Sinfonia, Patrick Gallois | C Major | 1 | 8B | 98 BPM | ||
| Concerto for Descant Recorder, Strings, and Continuo in F: 1. Allegro | Giovanni Battista Sammartini, Michala Petri, Academy of St. Martin in the Fields, Iona Brown | F Major | 1 | 7B | 127 BPM | ||
| Violin Sonata in E Minor, P. 85: II. Adagio, ma non tanto (After J.S. Bach's BWV 1023) | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 105 BPM | ||
| Symphony No. 6 in D Major, Hob. I:6 "Le matin": II. Adagio | Joseph Haydn, The English Concert, Trevor Pinnock | B Minor | 0 | 10A | 89 BPM | ||
| Oboe Concerto in A Major (arr. J. Barbirolli): III. Sarabanda | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | D Minor | 0 | 7A | 98 BPM | ||
| The Man Who Knew Too Much - Storm Clouds Cantata | Arthur Benjamin, Matteo Monico | F Major | 1 | 7B | 71 BPM | ||
| An Ideal Husband: I. Waltz | Arthur Benjamin, Rumon Gamba, BBC National Orchestra Of Wales | C Major | 1 | 8B | 174 BPM | ||
| Jamaican Rumba | Arthur Benjamin, Jascha Heifetz, Milton Kaye | C Major | 3 | 8B | 105 BPM | ||
| Concerti a cinque Op. 9 for oboe and strings, Concerto No. 2 in D minor: III. Allegro | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | D♭ Minor | 3 | 12A | 99 BPM | ||
| Mozart: Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Ton Koopman, Saskia Kwast, Wilbert Hazelzet, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 124 BPM | ||
| 2 Jamaican Pieces: Jamaican Rumba | Arthur Benjamin, RTE Concert Orchestra, Ernest Tomlinson | C Major | 1 | 8B | 136 BPM | ||
| Macbeth, End of Act 4 – the Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 71 BPM | ||
| 2 Songs for My Kids (Version for Cello & String Orchestra): No. 2, Natalie's Waltz | Alexey Shor, Dmitry Yablonsky, Kyiv Virtuosi, Sergey Smbatyan | E Minor | 2 | 9A | 96 BPM | ||
| Boccherini: Cello Concerto No. 7 in G Major, G. 480: II. Adagio | Luigi Boccherini, Steven Isserlis, Ostrobothnian Chamber Orchestra, Juha Kangas | D♭ Major | 1 | 3B | 121 BPM | ||
| Symphony in C Major, Op. 1, No. 6 (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
| Symphony No. 2 in A Major, Op. 2 "Birthday Ode": I. Allegro assai | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 127 BPM |