Pierre Rode, Axel Strauss's ' "24 caprices en formes d'etudes: No. 7 in A Major" was released on its scheduled release date, December 15, 2009. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Rode, P.: 24 Caprices for Solo Violin". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, 24 caprices en formes d'etudes: No. 7 in A Major is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With 24 caprices en formes d'etudes: No. 7 in A Major by Pierre Rode, Axel Strauss having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rieding: Violin Concerto in B Minor, Op. 35: I. Allegro moderato | Oskar Rieding, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | B Minor | 2 | 10A | 114 BPM | ||
| Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marciale | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | D Major | 3 | 10B | 76 BPM | ||
| Terzetto in C Major, op. 74: I. Introduzione: Allegro ma non troppo - Live | Antonín Dvořák, Paul Neubauer, Arnaud Sussmann, Erin Keefe | C Minor | 2 | 5A | 132 BPM | ||
| 5 Pieces for 2 Violins & Piano (Arr. for 2 Violins & Piano by Lev Atovmyan): No. 4, Waltz. Tempo di valse, moderato | Dmitri Shostakovich, Julia Fischer, Kirill Troussov, Henri Bonamy | E♭ Major | 2 | 5B | 100 BPM | ||
| 24 caprices en formes d'etudes: No. 19 in E-Flat Major | Pierre Rode, Axel Strauss | B♭ Minor | 1 | 3A | 86 BPM | ||
| Violin Concerto In E Minor, Op. 64, MWV O14: I. Allegro molto appassionato | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester, Kurt Masur | E Minor | 1 | 9A | 81 BPM | ||
| Brahms: Violin Sonata, 'F-A-E': III. Scherzo in C Minor | Johannes Brahms, Itzhak Perlman | B♭ Minor | 1 | 3A | 125 BPM | ||
| 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 1 in G Minor | Johannes Brahms, Baiba Skride, Lauma Skride | D Major | 2 | 10B | 129 BPM | ||
| Valse de Concert Nr. 1 in D Major, Op. 47: Allegro | Alexander Glazunov, Beethoven Orchester Bonn, Stefan Blunier | G Minor | 2 | 6A | 174 BPM | ||
| Violin Sonata No. 2 in G Major, Op. 13: II. Allegretto tranquillo | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 2 | 7A | 148 BPM | ||
| Viola Concerto in D Major: I. Allegro | Franz Anton Hoffmeister, Hariolf Schlichtig, Munich Chamber Orchestra | D Major | 1 | 10B | 129 BPM | ||
| Cello Concerto in C Minor (spuriously attrib. to Johann Christian Bach): I. Allegro molto ma maestoso | Henri Casadesus, Yuli Turovsky, I Musici de Montréal | C Minor | 1 | 5A | 80 BPM | ||
| 24 caprices en formes d'etudes: No. 11 in B Major | Pierre Rode, Axel Strauss | B Major | 2 | 1B | 82 BPM | ||
| Eternal Dreams | Luna Mystic | E Major | 3 | 12B | 164 BPM | ||
| Mélodie - Élégie | Jules Massenet, Penelope Lynex, Alexander Wells | E♭ Major | 1 | 5B | 90 BPM | ||
| 24 Caprices for Solo Violin, Op. 22: No. 22 in G Minor. Presto | Pierre Rode, Roksana Kwaśnikowska | G Minor | 1 | 6A | 86 BPM | ||
| Concerto for 2 Mandolins in G Major, RV 532: I. Allegro | Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | G Minor | 1 | 6A | 108 BPM | ||
| The Last Rose of Summer, "Polyphonic Study No. 6": Introduction. Moderato - Tema. Andante non troppo - Variations I, II, III, IV - Finale | Heinrich Wilhelm Ernst, Ning Feng | G Major | 1 | 9B | 115 BPM | ||
| Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | D Minor | 3 | 7A | 179 BPM | ||
| 3 Violin Duets (1996 Digital Remaster): II. Gavotte | Itzhak Perlman, Pinchas Zukerman | A Major | 0 | 11B | 110 BPM | ||
| Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
| Ernst: Grand Caprice on "Der Erlkönig", Op. 26 (After Schubert) [Arr. Ernst] | Heinrich Wilhelm Ernst, Vadim Repin | G Minor | 3 | 6A | 127 BPM | ||
| Violin Sonata (Sonatina) in A Minor, Op. 137, No. 2, D. 385: I. Allegro molto | Franz Schubert, Pascal Devoyon, Dong-Suk Kang | B♭ Major | 1 | 6B | 114 BPM | ||
| Divertimento in D Major, Hob. XI.113: I. Adagio | Franz Joseph Haydn, Denis Brott, Samuel Sanders | D Major | 1 | 10B | 145 BPM | ||
| Violin Sonata No. 3 in D Minor, Op. 108: Un poco presto e con sentimento | Johannes Brahms, Ilya Kaler, Alexander Peskanov | D Minor | 1 | 7A | 100 BPM |