Pierre Rode, Axel Strauss's '24 caprices en formes d'etudes: No. 11 in B Major' had a release date set for December 15, 2009. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Rode, P.: 24 Caprices for Solo Violin". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Hong Kong. 24 caprices en formes d'etudes: No. 11 in B Major is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 caprices en formes d'etudes: No. 11 in B Major by Pierre Rode, Axel Strauss having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Accolay: Violin Concerto No. 1 in A Minor | Jean Baptist Accolay, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Minor | 2 | 8A | 97 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 20 in D Major | Niccolò Paganini, Augustin Hadelich | D Major | 1 | 10B | 108 BPM | ||
| Serenade (Spanish Dance), Op. 54, No. 1 | David Popper, Peter Breiner, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Gerhard Markson | G Major | 0 | 9B | 87 BPM | ||
| Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": I. Allegro | Joseph Haydn, Quatuor Arod | G Major | 2 | 9B | 102 BPM | ||
| 24 caprices en formes d'etudes: No. 3 in G Major | Pierre Rode, Axel Strauss | C Minor | 1 | 5A | 100 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 1 in G Minor: IV. Finale con brio | Eugène Ysaÿe, Hilary Hahn | G Major | 1 | 9B | 97 BPM | ||
| Suite in G Major, RCT 6: No. 14, Les sauvages - Arr. for Solo Cello - Nouvelles suites de pièces de clavecin | Jean-Philippe Rameau, Christian-Pierre La Marca | F♯ Minor | 3 | 11A | 85 BPM | ||
| Moz-Art für zwei Violinen (Nach dem Fragment KV 416d) | Alfred Schnittke, Clarissa Bevilacqua, Larissa Cidlinsky | G Major | 6 | 9B | 157 BPM | ||
| Cello Concerto in E Minor, RV 409: III. Allegro | Jiaxin Lloyd Webber, Julian Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | G Minor | 1 | 6A | 108 BPM | ||
| Cello Concerto No. 1 in A Minor, Op. 33, R. 193: III. Allegro non troppo | Camille Saint-Saëns, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Alexandre Bloch | F Major | 0 | 7B | 78 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 1 in G Minor: II. Fugato | Eugène Ysaÿe, Hilary Hahn | G Minor | 2 | 6A | 101 BPM | ||
| Wieniawski: Légende in G Minor, Op. 17 | Henryk Wieniawski, Maxim Vengerov, Itamar Golan | G Minor | 1 | 6A | 81 BPM | ||
| Sonata For Piano And Violin In E Minor, K.304: 1. Allegro | Wolfgang Amadeus Mozart, Hilary Hahn, Natalie Zhu | E Minor | 2 | 9A | 86 BPM | ||
| Ribbons of Thunderlight | Bheto VN | C Minor | 3 | 5A | 140 BPM | ||
| String Quartet in G Major, Hob.III:75, Op. 7 No. 1: III. Menuetto. Presto | Joseph Haydn, Tokyo String Quartet | G Major | 6 | 9B | 157 BPM | ||
| Concerto for Cello and Orchestra in A Minor, Op. 129: Nicht zu schnell | Robert Schumann, Steven Isserlis, Deutsche Kammerphilharmonie, Christoph Eschenbach | A Minor | 1 | 8A | 124 BPM | ||
| Sonata X in G Major for Two Cellos: III. Allegro prestissimo | Jean Barrière, Patrick Demenga, Thomas Demenga | D Major | 2 | 10B | 153 BPM | ||
| Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 1. Adagio | Johann Sebastian Bach, Hilary Hahn | G Minor | 1 | 6A | 84 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 9 in E Major | Niccolò Paganini, Augustin Hadelich | E Major | 1 | 12B | 82 BPM | ||
| Henryk Wieniawski: Polonaise n° 1 in Re Maggiore | Uto Ughi, Henryk Wieniawski | D Major | 2 | 10B | 101 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E♭ Major | 1 | 5B | 113 BPM | ||
| Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
| Zigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivace | RCA Victor Symphony Orchestra & William Steinberg | A♭ Major | 1 | 4B | 88 BPM | ||
| chita | yuli02 | G Minor | 4 | 6A | 109 BPM | ||
| Violin Concerto No. 5 in A Major, K. 219 "Turkish": 1. Allegro aperto | Wolfgang Amadeus Mozart, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | A Major | 1 | 11B | 126 BPM |