"Tear Song" by Max Ablitzer had its release date on May 31, 2017. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 12 in Dark Violin Songs II by Max Ablitzer. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Tear Song's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tear Song by Max Ablitzer is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Acoustic Landscape V | Max Ablitzer | G Minor | 2 | 6A | 122 BPM | ||
| Seven Veils (Alternate Version) | Adam Hurst | G Major | 1 | 9B | 97 BPM | ||
| Broken People | Kerry Muzzey, Andrew Skeet, The Chamber Orchestra Of London | B♭ Major | 2 | 6B | 114 BPM | ||
| Paper Shadows | Chad Lawson | F Minor | 0 | 4A | 180 BPM | ||
| Divergence | The Last Days of Our Past | A Minor | 0 | 8A | 69 BPM | ||
| A Door Made of Light, Pt. II | Northumbria | A Minor | 1 | 8A | 75 BPM | ||
| Dark Fairytale | Asia Borioli, Wasylla | G Minor | 1 | 6A | 83 BPM | ||
| A Chilling Truth (Full Version) | Elemental SoundWorks | E Major | 0 | 12B | 120 BPM | ||
| Heavy Words | The Last Days of Our Past | C Minor | 0 | 5A | 81 BPM | ||
| Born to Darkness | Ivan Duch | B Minor | 5 | 10A | 70 BPM | ||
| The Vow | Alexandre Desplat | F Major | 6 | 7B | 126 BPM | ||
| Child of the Wind | Yopy Mystic | E Minor | 4 | 9A | 104 BPM | ||
| Bitter Milk | ibi | B♭ Minor | 0 | 3A | 65 BPM | ||
| The Marionettes | Max Ablitzer | C Minor | 1 | 5A | 110 BPM | ||
| Grimm's Memoirs | Michael Ghelfi, Filip Melvan | D Major | 2 | 10B | 100 BPM | ||
| Lapis Occultus | Lamia Vox | D♭ Major | 3 | 3B | 139 BPM | ||
| Shadowman's Waltz | Franz Gordon | F♯ Major | 0 | 2B | 118 BPM | ||
| The Heart Wants | Kerry Muzzey, Andrew Skeet, The Chamber Orchestra Of London | G Minor | 2 | 6A | 84 BPM | ||
| And The Avarice | Rising Shadows | A Major | 2 | 11B | 74 BPM | ||
| Mina's Lament | Elemental SoundWorks | A♭ Major | 1 | 4B | 78 BPM | ||
| Blood - From "Macbeth" Soundtrack | Jed Kurzel | E Minor | 2 | 9A | 138 BPM | ||
| Bartók: Romanian Folk Dances, Sz.56: III. Pe-loc-Andante | Cinthya Garcia | B Minor | 1 | 10A | 80 BPM | ||
| Conexiones | Skat Cello | D Minor | 2 | 7A | 70 BPM | ||
| Acoustic Landscape VIII | Max Ablitzer | G Minor | 2 | 6A | 90 BPM | ||
| Dark Mists | Regnum Umbrae | C Minor | 1 | 5A | 170 BPM |