Semele, HWV 58: O sleep, why dost thou leave me? (Recorded 1920) by George Frideric Handel, John McCormack Song Details

"Semele, HWV 58: O sleep, why dost thou leave me? (Recorded 1920)" by George Frideric Handel, John McCormack had its release date on January 1, 1991. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in John McCormack, Mario Sammarco, edward Schneider's "Mccormack in Opera" album is number 20 out of 21. On top of that, United Kingdom appears to be the country where this track was created. Semele, HWV 58: O sleep, why dost thou leave me? (Recorded 1920) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Semele, HWV 58: O sleep, why dost thou leave me? (Recorded 1920) by George Frideric Handel, John McCormack to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 4%
Loudness: -21.792 dB
Acousticness: 99%
Danceability: 12%
Energy: 8%
Instrumentalness: 0%
Liveness: 36%
Loudness: 64%
Speechiness: 4%
Valence: 6%

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