"Dona nobis pacem: Reconciliation" by Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill had its release date on April 27, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vaughan Williams: Dona Nobis Pacem - Sancta Civitas by Ralph Vaughan Williams, David Hill, Bournemouth Symphony Orchestra. The song's track number on the album is #3 out of 16 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Dona nobis pacem: Reconciliation is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Dona nobis pacem: Reconciliation by Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Dona nobis pacem: Reconciliation being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requiem for the Living: V. Lux Aeterna | Dan Forrest, Bel Canto Company, Donovan Elliot, Jeremy Whitener, Welborn Young | A Major | 2 | 11B | 127 BPM | ||
| Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | E♭ Major | 0 | 5B | 77 BPM | ||
| Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
| I Have Never Loved Someone: I Have Never Loved Someone (Arr. for Choir by Nate Thacher) | Shara Nova, Conspirare, Craig Hella Johnson | E Major | 1 | 12B | 175 BPM | ||
| Christ lag in Todes Banden, BWV 4: Christ lag in Todesbanden, BWV 4: Jesus Christus Gottes Sohn (Arr. L. Stokowski) | Johann Sebastian Bach, Bournemouth Symphony Orchestra, José Serebrier | E Minor | 2 | 9A | 106 BPM | ||
| Weep, O mine eyes | John Bennet, The King's Singers | A♭ Minor | 0 | 1A | 127 BPM | ||
| Acclamatio | Damijan Močnik, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 82 BPM | ||
| Orff: Carmina Burana, Pt. 3 "Cour d'amours": In trutina | Carl Orff, Sir Simon Rattle, Sally Matthews, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | ||
| Verdi: Messa da Requiem: XVIII. Requiem aeternam | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
| Requiem, Op. 9: VIII. Libera me | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Christophe Gautier, Henri Chalet, Alice Korovitch | B♭ Major | 0 | 6B | 131 BPM | ||
| Chichester Psalms: I. Psalm 108:2, Urah, hanevel, v'chinor! - Psalm 100, Hariu l'Adonai kol haarets | Leonard Bernstein, Thomas Kelly, Elizabeth Franklin-Kitchen, Victoria Nayler, Jeremy Budd, Paul Charrier, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | D Minor | 2 | 7A | 105 BPM | ||
| Fauré : Requiem Op.48 : VI Libera me | Gabriel Fauré, Edward Higginbottom, Capricorn, Tim Oldham | D Minor | 1 | 7A | 114 BPM | ||
| The Music of Living | Dan Forrest, Eastern Michigan University Choir, Brandon Johnson | D Major | 2 | 10B | 102 BPM | ||
| Après un rêve | Gabriel Fauré, Renée Fleming, Jean-Yves Thibaudet | G Minor | 2 | 6A | 94 BPM | ||
| Overture / The Heat Is on in Saigon | Bournemouth Symphony Orchestra, Seann Alderking | C Major | 4 | 8B | 116 BPM | ||
| Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
| Mass No.2 in G Major, D.167: I. Kyrie | Franz Schubert, Linda Kitchen, Ian Hare, Denis McCaldin, Haydn Society Orchestra | F Major | 0 | 7B | 159 BPM | ||
| Out of This Darkness: No. 5, Out of This Darkness | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | D Major | 2 | 10B | 134 BPM | ||
| Purcell : Hear my prayer, O Lord | Henry Purcell, Edward Higginbottom | C Minor | 1 | 5A | 86 BPM | ||
| Missa Tempore Quadragesimae, MH 553: Credo. Et resurrexit | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 167 BPM | ||
| St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | ||
| 4 Quartette, Op. 92: I. O schöne Nacht | Johannes Brahms, Orpheus Vokalensemble, Antonii Baryshevskyi, Michael Alber | E Minor | 1 | 9A | 95 BPM | ||
| 3 Nocturnes: No. 1. Ballade to the Moon | Daniel Elder, Westminster Choir, John Hudson, Joe Miller | E Minor | 1 | 9A | 68 BPM | ||
| A Silence Haunts Me | Jake Runestad, Todd Boss, Iowa State Singers | B♭ Major | 0 | 6B | 84 BPM | ||
| Considering Matthew Shepard, Passion: No. 14, Stray Birds | Craig Hella Johnson, Rabindranath Tagore, Conspirare | F♯ Minor | 0 | 11A | 96 BPM |