"Fauré : Requiem Op.48 : VI Libera me" by Gabriel Fauré, Edward Higginbottom, Capricorn, Tim Oldham had its release date on 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 26 in Agnus Dei Volumes 1 & 2 by Edward Higginbottom. In terms of popularity, Fauré : Requiem Op.48 : VI Libera me is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré : Requiem Op.48 : VI Libera me by Gabriel Fauré, Edward Higginbottom, Capricorn, Tim Oldham is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Lord's Prayer | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | C Major | 5 | 8B | 180 BPM | ||
| O Jesu Christe | Jakob van Berchem, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | E♭ Major | 2 | 5B | 84 BPM | ||
| The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
| Grande Messe des Morts: XIII. Sequentia: Confutatis - Allegro molto | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | G Minor | 2 | 6A | 84 BPM | ||
| Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
| Requiem, Op. 48: 7. In paradisum | Gabriel Fauré, Choir of St. John's College, Cambridge, Stephen Cleobury, Academy of St. Martin in the Fields, George Guest | D Minor | 0 | 7A | 170 BPM | ||
| Miserere, Op.44: 1. Domine Deus noster-Lento | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 72 BPM | ||
| Te Lucis ante Terminum (after "Song of the Birds") | Traditional, Helen Tunstall, Choir of New College, Oxford, Edward Higginbottom | A Minor | 0 | 8A | 77 BPM | ||
| Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 39, Chor. "Ruht wohl, ihr heiligen Gebeine" | Johann Sebastian Bach, Edward Higginbottom, Capricorn | C Minor | 1 | 5A | 79 BPM | ||
| Variation 9: Nimrod) | John Cameron, Choir of St John's, Elora, Noel Edison | D♭ Major | 1 | 3B | 83 BPM | ||
| Thou Knowest, Lord, the Secrets of Our Hearts, Z. 58c | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | E♭ Major | 1 | 5B | 130 BPM | ||
| Stabat Mater, P. 77: II. Soprano. Cuius animam gementem | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | G Major | 1 | 9B | 79 BPM | ||
| Requiem, Op. 48: 7. In Paradisum (Chorus) | Gabriel Fauré, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus London | D Major | 0 | 10B | 63 BPM | ||
| Ave verum | Philip Stopford, The Ecclesium Choir | F♯ Minor | 1 | 11A | 142 BPM | ||
| Dido and Aeneas, Z.626 / Act 3: "When I Am Laid In Earth" | Henry Purcell, Catherine Bott, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 6 | 5B | 131 BPM | ||
| Marco Rosano: Requiem | Andreas Scholl | B♭ Major | 2 | 6B | 59 BPM | ||
| Mass in E-Flat Major, Op. 109 "Cantus Missae": I. Kyrie | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 66 BPM | ||
| Otche Nash (Our Father) | Nikolay Kedrov, Conspirare, Craig Hella Johnson | C Major | 0 | 8B | 126 BPM | ||
| Gloria in D Major: Et in terra | Antonio Lotti, Mária Zádori, Judit Nemeth, Gábor Oláh, Tibor Gyenge, László Donyec, Mihály Lakatos, Henrik Hirschberg, Antal Pálkövi, Lotti Chamber Choir, Camerata Pro Musica Chamber Orchestra, Ferenc Rózsa | D Major | 0 | 10B | 84 BPM | ||
| Messa da Requiem: Agnus Dei | Giuseppe Verdi, Elena Filipova, Gloria Scalchi, Cesar Hernandez, Carlo Colombara, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | F♯ Major | 0 | 2B | 81 BPM | ||
| Materna Requiem: 1. Introit | Rebecca Dale, Louise Alder, Trystan, Edward Hyde, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | A Minor | 1 | 8A | 109 BPM | ||
| Stabat Mater, P. 77: V. Duet. Quis est homo qui non fleret | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | B Minor | 1 | 10A | 80 BPM | ||
| Requiem, Op. 48: 1. Introit et Kyrie (Chorus) | Gabriel Fauré, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann | B♭ Major | 0 | 6B | 87 BPM | ||
| Mass for Double Choir: Kyrie | Frank Martin, Mikaeli Chamber Choir, Anders Eby | A Minor | 0 | 8A | 88 BPM | ||
| Mass in B Minor, BWV 232: Qui tollis peccata mundi | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B♭ Minor | 1 | 3A | 99 BPM |