"Requiem, Op. 48: 7. In Paradisum (Chorus)" by Gabriel Fauré, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus London had its release date on January 1, 1986. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 8 in Fauré: Requiem / Ravel: Pavane pour une infante défunte by Gabriel Fauré, Kathleen Battle, Andreas Schmidt, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Maurice Ravel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Requiem, Op. 48: 7. In Paradisum (Chorus) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 48: 7. In Paradisum (Chorus) by Gabriel Fauré, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus London is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bizet : L'Arlésienne Suite No.2 : Agnus Dei [Intermezzo] | Georges Bizet, Edward Higginbottom, Tim Oldham | D♭ Major | 1 | 3B | 84 BPM | ||
| Enigma Variations, Op. 36: Var. 9. Adagio "Nimrod" | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 66 BPM | ||
| Piano Concerto in G Major, M. 83: 2. Adagio assai | Maurice Ravel, Jean-Yves Thibaudet, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 1 | 3B | 87 BPM | ||
| Requiem, Op. 48, N. 97: III. Sanctus | Gabriel Fauré, La Chapelle Royale, Collegium Vocale Gent, Philippe Herreweghe | E♭ Major | 0 | 5B | 108 BPM | ||
| Stabat Mater en fa mineur pour soprano, alto & orgue: Quando corpus morietur Amen | Giovanni Battista Pergolesi, Orchestre Paul Kuentz, Barbara Schlick, Christa Menke | B♭ Minor | 1 | 3A | 129 BPM | ||
| Otche Nash (Our Father) | Nikolay Kedrov, Conspirare, Craig Hella Johnson | C Major | 0 | 8B | 126 BPM | ||
| Schicksalslied, Op. 54: Orchestral Postlude with Choir (Alternate Version) | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | A Minor | 1 | 8A | 92 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod. Adagio (Arr. Parkin) | Edward Elgar, Sheku Kanneh-Mason, Ashok Klouda, Caroline Dearnley, Hannah Roberts, Josephine Knight, Ben Davies | B♭ Major | 1 | 6B | 90 BPM | ||
| Tantum ergo, WAB 32 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | ||
| Mass, Op. 12: V. Panis Angelicus | César Franck, Christian-Pierre La Marca, Philippe Jaroussky, Thierry Escaich | F Major | 1 | 7B | 137 BPM | ||
| Notturno Op. 70 No. 1 | Giuseppe Martucci, Czecho-Slovak State Philharmonic Orchestra of Kosice, Johannes Wildner | F♯ Major | 1 | 2B | 80 BPM | ||
| Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia | Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz | F Minor | 1 | 4A | 143 BPM | ||
| Eternal Light: A Requiem (2008): Kyrie: Close now thine eyes | Howard Goodall, Stephen Darlington, London Musici | E Major | 0 | 12B | 82 BPM | ||
| Brahms / Arr Higginbottom : Geistliches Lied Op.30 | Johannes Brahms, Edward Higginbottom | E♭ Major | 1 | 5B | 67 BPM | ||
| Concerto grosso in B minor, Op. 6, No. 12: 3. Larghetto, e piano | George Frideric Handel, Michel Schwalbé, Hanns-Joachim Westphal, Ottomar Borwitzky, Edith Picht-Axenfeld, Herbert von Karajan, Karl Scheit, Friedrich Fischer, Berliner Philharmoniker | G Major | 2 | 9B | 85 BPM | ||
| Tantum ergo, WAB 43 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| Concerto for Organ, Strings and Percussion in G minor, FP 93: Allegro giocoso | Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit | D Major | 1 | 10B | 110 BPM | ||
| Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
| Requiem in D Minor, Op. 48: I. Introit et Kyrie | Gabriel Fauré, John Rutter, Simon Standage, John Scott, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | ||
| La Wally (1997 Digital Remaster): Ebben?...Ne andrò lontana | Maria Callas, Tullio Serafin, Philharmonia Orchestra | C Major | 2 | 8B | 71 BPM | ||
| Vespers (All-Night Vigil), Op.37: 3. "Blazhen muzh" | Sergei Rachmaninoff, St.Petersburg Chamber Choir, Nikolai Korniev | F Major | 0 | 7B | 104 BPM | ||
| Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
| Messe solennelle de Sainte Cécile (1988 Digital Remaster): Sanctus | Charles Gounod, Pilar Lorengar/Heinz Hoppe/Franz Crass/Choeurs René Duclos/Orchestre de la Société des Concerts du Conservatoire/Jean-Claude Hartemann, Jean-Claude Hartemann, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 2 | 10A | 77 BPM | ||
| Suor Angelica: Intermezzo | Herbert von Karajan | G Major | 2 | 9B | 118 BPM | ||
| Fauré: Requiem, Op. 48: VII. In Paradisum | Gabriel Fauré, Michel Corboz, Maîtrise de Saint-Pierre-aux-Liens de Bulle, Philippe Corboz, Berner Symphonie-Orchester | F Minor | 0 | 4A | 71 BPM |