"Every Second Counts" by Bryce Jacobs had its release date on February 25, 2014. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 10 in Eclectic Hollywood by Bryce Jacobs. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Every Second Counts's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Every Second Counts by Bryce Jacobs is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Heroic Charge | Bryce Jacobs | D♭ Major | 1 | 3B | 139 BPM | ||
| Final Tale | Farid Puber | D♭ Major | 3 | 3B | 80 BPM | ||
| Outta Office | Uebbeow | C Minor | 3 | 5A | 74 BPM | ||
| No Man's Land | Rupert Gregson-Williams | E Minor | 5 | 9A | 98 BPM | ||
| I Disappear | Aysel Kazim, Selenay Kazim | A♭ Major | 4 | 4B | 143 BPM | ||
| Live Forever | Aysel Kazim, Selenay Kazim | D Major | 2 | 10B | 100 BPM | ||
| Shine On | Kamreno | G Major | 4 | 9B | 180 BPM | ||
| Running Blind | Felix Erskine, Orphan | C Major | 5 | 8B | 99 BPM | ||
| A Ninguna Parte | Casualidades Del Destino | E Minor | 3 | 9A | 178 BPM | ||
| Cuore E Coraggio | Sagrifizio | D♭ Major | 4 | 3B | 135 BPM | ||
| Gostaria | Sabir Babayev, Strelka | D♭ Minor | 1 | 12A | 139 BPM | ||
| Verdaderas Conexiones | Nimetas | C Major | 2 | 8B | 125 BPM | ||
| Cruz' Sins | Atli Örvarsson | G Minor | 1 | 6A | 123 BPM | ||
| Jellyfish | Amelia Warner | A Minor | 1 | 8A | 92 BPM | ||
| Flowing Currents | Antonio Esposito | C Major | 2 | 8B | 183 BPM | ||
| Lunar Echo Cantata | Celestia Light Orchestra | A Minor | 3 | 8A | 104 BPM | ||
| Arenas | Caos Ancestral | G Minor | 1 | 6A | 95 BPM | ||
| Echoes of the fallen star | David De Angelis | A Minor | 3 | 8A | 104 BPM | ||
| Rayos De Luz | Noches Eternas | A Major | 3 | 11B | 97 BPM | ||
| Fragments | Mark Petrie | C Major | 4 | 8B | 86 BPM | ||
| Tides of Sorrow | Joachim Tospann, Intervox Music | B♭ Minor | 8 | 3A | 127 BPM | ||
| Incantatrice | Gianni Milo | C Minor | 6 | 5A | 110 BPM | ||
| Game On | Johannes Ringen | D Major | 8 | 10B | 100 BPM | ||
| Seeing with New Eyes | Sarah Schachner | A♭ Major | 0 | 4B | 65 BPM | ||
| Stella Del Mattino | Gianni Milo | F Minor | 2 | 4A | 130 BPM |