Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï's 'Suite En Mi Mineur: Passacaille, II.105 (Marais)' had a release date set for January 1, 2003. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Suite En Mi Mineur: Passacaille, II.105 (Marais)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï's "Marin Marais: Pieces De Viole Du Second Livre, 1701" album is number 10 out of 27. On top of that, Switzerland appears to be the country where this track was created. In terms of popularity, Suite En Mi Mineur: Passacaille, II.105 (Marais) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite En Mi Mineur: Passacaille, II.105 (Marais) by Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Canzoni overo sonate concertate, Op. 12: No. 24, Ballo detto Pollicio | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Ritornello: Ritornello | Giovanni Girolamo Kapsberger, Les Kapsber'girls, Albane Imbs | E Major | 0 | 12B | 107 BPM | ||
| Loves farewell | Tobias Hume, Mime Yamahiro-Brinkmann | D♭ Major | 0 | 3B | 106 BPM | ||
| Premier Concert: Menuet En Trio (Couperin) | François Couperin, Jordi Savall | G Major | 1 | 9B | 131 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad faciem: Aria "Dum me mori est necesse" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Carlos Mena | C Minor | 2 | 5A | 90 BPM | ||
| Robin, P. 70 | John Dowland, Nigel North | A Minor | 1 | 8A | 107 BPM | ||
| In Nomine III A 5 (Woodcock) | Clement Wookcock, Traditional, Jordi Savall | G Minor | 0 | 6A | 74 BPM | ||
| Suite En Si Mineur: Gigue, II.90 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | B♭ Minor | 2 | 3A | 78 BPM | ||
| Le Concert: Premier air | Mademoiselle Laurant, Sophie de Bardonnèche, Louise Ayrton, Marta Paramo, Clément Batrel-Genin, Hanna Salzenstein, Justin Taylor | F♯ Minor | 1 | 11A | 92 BPM | ||
| Le nymphe di Rheno, Op. 8: Sonata No. 1 in B Minor: III. Corrente | Johannes Schenck, Margaret Little, Susie Napper, Les Voix Humaines | A Minor | 1 | 8A | 117 BPM | ||
| Alceste, LWV 50: La Pompe Funèbre (1674) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | F Minor | 2 | 4A | 78 BPM | ||
| Marizapalos | Rolf Lislevand, Santiago De Murcia | A♭ Minor | 0 | 1A | 86 BPM | ||
| La Gamba In Basso, E Soprano (1564) | La Capella Reial De Catalunya, Hespèrion XXI, Jordi Savall, Fahmi Alqhai, Philippe Pierlot, Rafael Bonavita | D Minor | 0 | 7A | 176 BPM | ||
| Couperin, L: Suite en fa: III. Courante, G. 69 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 2 | 5B | 135 BPM | ||
| Violin Sonata No. 1 in D Minor: I. Adagio | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Minor | 1 | 12A | 125 BPM | ||
| La Du Vaucel (Forqueray) | Jordi Savall | D Major | 0 | 10B | 175 BPM | ||
| Pièces à deux violes du Premier Livre, suite en ré mineur: II. Allemande (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | A♭ Minor | 1 | 1A | 188 BPM | ||
| Tres Glosas Sobre "Todo El Mundo En General" | Francisco Correa de Arauxo, Jordi Savall | F Major | 2 | 7B | 94 BPM | ||
| Trio Sonata in D Major, BuxWV 267 | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin, Benoît Vanden Bemden, Mélissande Corriveau | D Major | 1 | 10B | 97 BPM | ||
| Captaine Piper his Galiard | John Dowland, Les Voix Humaines | E♭ Minor | 0 | 2A | 167 BPM | ||
| Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Les Nimphes De La Grenouillere (Philidor) | Le Concert Des Nations, Jordi Savall | G Major | 2 | 9B | 99 BPM | ||
| M. Henry Noell His Galiard | Jordi Savall, John Dowland | C Major | 1 | 8B | 107 BPM | ||
| Canzona prima a 4, canto alto tenor basso "sopra rugier" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Major | 2 | 9B | 135 BPM | ||
| Concert XLI: Le retour - en pianelle | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | D♭ Major | 0 | 3B | 0 BPM | ||
| Clarinas y Trompetas | Gaspar Sanz, Rolf Lislevand, Eduardo Egüez, Beatrice Pornon, Adela Gonzalez-Campa | D Major | 1 | 10B | 120 BPM |