"Lazarus Requiem: Tableau One" by Patrick Hawes, Thomas Walker, Elin Manahan Thomas, Rachael Lloyd, Royal Scottish National Orchestra had its release date on April 2, 2012. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Patrick Hawes, Elin Manahan Thomas, Thomas Walker, Rachael Lloyd, Royal Scottish National Orchestra's "Lazarus Requiem" album is number 2 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Lazarus Requiem: Tableau One is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lazarus Requiem: Tableau One by Patrick Hawes, Thomas Walker, Elin Manahan Thomas, Rachael Lloyd, Royal Scottish National Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gli Uccelli: II. La Columba | Orchestra of the Swan, Victoria Brawn | F♯ Minor | 1 | 11A | 90 BPM | ||
| Hush, no More (Sleep) | Henry Purcell, Sjaella | B Minor | 0 | 10A | 97 BPM | ||
| Song for Athene | John Tavener, Tenebrae | B♭ Major | 0 | 6B | 140 BPM | ||
| Auferstehn | Heinrich Poos, Friedrich Gottlieb Klopstock, Carl Høgset, Grex Vocalis | B♭ Major | 1 | 6B | 146 BPM | ||
| Ave Maria, Op. 2, No. 2 | Edward Elgar, Jonathan Vaughn, Choir of St. John's College, Cambridge, Christopher Robinson | B♭ Major | 1 | 6B | 85 BPM | ||
| Making or Breaking | Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel Rinsema | D Major | 2 | 10B | 102 BPM | ||
| Dark Night | Ola Gjeilo, Tenebrae, Thomas Gould, Ciaran McCabe, Jon Thorne, Matthew Sharp | F Minor | 1 | 4A | 67 BPM | ||
| The Ground | Ola Gjeilo, Tenebrae, The Chamber Orchestra Of London | E♭ Major | 1 | 5B | 82 BPM | ||
| Sunrise | Majorstua Kammerkor & Tore Erik Mohn | D Major | 1 | 10B | 128 BPM | ||
| Mozart: Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, Riccardo Muti, Stockholm Chamber Choir, Stockholm Radio Chorus, Berliner Philharmoniker | D Major | 1 | 10B | 63 BPM | ||
| Suite from "The Victorian Kitchen Garden": V. Summer. Flowing | Paul Reade, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 66 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| Only in Sleep | Ēriks Ešenvalds, Cai Thomas, Pegasus Chamber Choir, Robert Lewis | F♯ Major | 1 | 2B | 75 BPM | ||
| Requiem (Arr. Johnson) | Eliza Gilkyson, Conspirare, Craig Hella Johnson | B♭ Major | 0 | 6B | 82 BPM | ||
| The Mass: Et Incarnatus Est | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
| La Rose Complete | Nordic Chamber Choir - Nicol Matt | D♭ Major | 0 | 3B | 125 BPM | ||
| Materna Requiem: 5. Agnus Dei | Rebecca Dale, Edward Hyde, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | E♭ Minor | 3 | 2A | 81 BPM | ||
| Song for Athene | John Tavener, VOCES8 | F Major | 0 | 7B | 80 BPM | ||
| Luminosity, II. The Changing Scenes | James Whitbourn, Commotio, Levine Andrade, Henry Parkes, Steffan Jones, Andrew Ker, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| She Walks In Beauty | Paul Mealor, Tenebrae, Nigel Short | G Major | 0 | 9B | 92 BPM | ||
| In My Father’s House | Philip Stopford, Truro Cathedral Choir, BBC National Orchestra Of Wales, Christopher Gray | A Major | 1 | 11B | 111 BPM | ||
| Requiem: IX. Pie Jesu | Karl Jenkins, Nicole Tibbels, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Clive Bell, Catrin Finch, Tim Thorne, Timothy Rhys-Evans, Gary Kettel, Sam Landman | E♭ Major | 1 | 5B | 85 BPM | ||
| Holy Spirit Mass: The Spirit's Work | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | E Minor | 3 | 9A | 114 BPM | ||
| Kinderszenen, Op. 15: No. 7, Träumerei (Arr. H. Villa-Lobos for Choir) | Robert Schumann, Orquestra Sinfônica do Estado de São Paulo, Valentina Peleggi | C Major | 5 | 8B | 135 BPM | ||
| Agnus Dei | Imogen Holst, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E Minor | 1 | 9A | 109 BPM |