- BPM
- 71
- Key
- C Major
- Camelot
- 8B
It Was a Lover and His Lass by John Rutter, Chicago a Cappella Song Details
John Rutter, Chicago a Cappella's 'It Was a Lover and His Lass' had a release date set for January 1, 2000. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. It Was a Lover and His Lass's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 23 in Choral Songs on Shakespeare Texts by Chicago a Cappella. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. It Was a Lover and His Lass is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
The tempo marking of It Was a Lover and His Lass by John Rutter, Chicago a Cappella is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Music Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -24.916 dB
- Acousticness
- 99%
- Danceability
- 40%
- Energy
- 9%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 58%
- Speechiness
- 5%
- Valence
- 20%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Hymn to the Creator of Light | John Rutter, The Cambridge Singers | E♭ Major | 1 | 5B | 77 BPM | |
 | Vere languores nostros, IAL 32 | Antonio Lotti, Pro Musica, Szabó Dénes | A♭ Major | 0 | 4B | 71 BPM | |
 | Ave Maria, WAB 6 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Matthew Morley, Robert Jones | D Major | 0 | 10B | 133 BPM | |
 | Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": No. 9, Sheep May Safely Graze (Arr. for Orchestra by John Rutter) | Johann Sebastian Bach, John Rutter, Manchester Camerata | E Major | 2 | 12B | 98 BPM | |
 | Ave Maria for 4 Voices | Tomás Luis de Victoria, The Cambridge Singers, John Rutter | D♭ Major | 3 | 3B | 138 BPM | |
 | Grace Before Sleep | Susan LaBarr, Georgia State University Singers, Deanna Joseph | D♭ Major | 1 | 3B | 128 BPM | |
| II. Andante | John Rutter, Mary Seers, Mary Hitch, Caroline Ashton, The Cambridge Singers, John Scott, Gary Kettel, Eric Allen, The Philip Jones Brass Ensemble | A♭ Major | 0 | 4B | 75 BPM | |
 | J. G. Rheinberger: Abendlied | Josef Rheinberger, Karin Freist-Wissing, Vox Bona - Kammerchor der Kreuzkirche Bonn | F Major | 0 | 7B | 135 BPM | |
 | Wherever You Are | Paul Mealor, Cai Thomas, Choristers of St Thomas-on-The Bourne, Robert Lewis | B♭ Major | 3 | 6B | 64 BPM | |
 | A Cornish Christmas Carol | Peter Warlock, The Carice Singers, George Parris | A♭ Major | 1 | 4B | 92 BPM | |
 | Meine Seele erhebt den Herrn | Heinrich von Herzogenberg, Schweizer Vokalconsort, Marco Amherd | D Minor | 1 | 7A | 108 BPM | |
 | Identity & The Ground | Majorstua Kammerkor & Tore Erik Mohn | A♭ Major | 0 | 4B | 89 BPM | |
 | Oculi omnium | Charles Wood, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber | D♭ Major | 3 | 3B | 138 BPM | |
 | Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | |
 | The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | |
 | The Birds, P. 154: V. The Cuckoo (Il cuccù) | Ottorino Respighi, Orpheus Chamber Orchestra | A Major | 0 | 11B | 118 BPM | |
 | Thou Must Leave Thy Lowly Dwelling | The Shorter Chorale, Patrick Harvey, Martha Shaw | E Major | 0 | 12B | 82 BPM | |
 | Requiem: IV. Sanctus | John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, City of London Sinfonia, Sinfonia Of London | F Major | 1 | 7B | 78 BPM | |
 | Requiem (Arr. Johnson) | Eliza Gilkyson, Conspirare, Craig Hella Johnson | B♭ Major | 0 | 6B | 82 BPM | |
 | Cantique de Jean Racine, Op. 11 (Arr. J. Rutter for Choir & Organ) | Gabriel Fauré, John Rutter, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | |
 | Eternal Rest | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | G Major | 1 | 9B | 128 BPM | |
 | Love Never Ends | Philip Stopford, The Ecclesium Choir | D♭ Major | 1 | 3B | 94 BPM | |
| Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | |
 | Serenade for Strings in E Minor, Op. 20: II. Larghetto | Edward Elgar, Orpheus Chamber Orchestra | A Minor | 1 | 8A | 109 BPM | |
 | In manus tuas | William Byrd, The Cambridge Singers, John Rutter | F♯ Minor | 0 | 11A | 107 BPM |
- ISRC
- USA370563949
- Label
- L-M Records/RCA Records