On March 1, 2022, the song "Paras Naam Rasila" was released by Ravindra Jain, Meenal Jain. This song is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. There are a total of 17 in the song's album "Namo Namo Mahavir". In this album, this song's track order is #10. Furthermore, we believe that the track originated from India. Paras Naam Rasila is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Paras Naam Rasila by Ravindra Jain, Meenal Jain having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mera Aapki Kripa Se | Bhaiya Krishan Das Ji | B Major | 8 | 1B | 139 BPM | ||
| Mujhe Charno Se Laga Le Shyam Murli Wale | Mridul Krishan Shastri | B♭ Minor | 8 | 3A | 82 BPM | ||
| Chanana Channan Pag Ghungru Bole | Hemlata, Satish Dehra, Ravindra Jain | A Minor | 6 | 8A | 95 BPM | ||
| Mansa Devi Mansa Poori | Babla Mehta | A♭ Major | 7 | 4B | 105 BPM | ||
| Meri Vinti Yahi Hai Radha Rani | Devendra Pathak | A♭ Minor | 6 | 1A | 100 BPM | ||
| Bhagwat Bhagwan Ki Aarti (Kantikartik Yadav) | OP Dewangan | G Major | 9 | 9B | 74 BPM | ||
| Kamna Hriday Ki Suna Ke Dekh Le | Babla Mehta | A Major | 5 | 11B | 94 BPM | ||
| Dheere Khelo Bhawani Maa | Dev Kanojiya | D♭ Major | 1 | 3B | 136 BPM | ||
| Meri Bhavna | Rupak Jain, Chetna Shukla | E♭ Minor | 4 | 2A | 132 BPM | ||
| Bhaye Pragat Kripala Deen Dayala | Arpit Srivastava | B Major | 5 | 1B | 130 BPM | ||
| Maa Tere Darbar Jhuke Sara Sansar | Mohammed Rafi | G Minor | 4 | 6A | 86 BPM | ||
| Mano Toh Main Ganga Maa Hoon | Tripti Shakya | F♯ Major | 4 | 2B | 110 BPM | ||
| Meri Raksha Karo Bajrangbali | Babla Mehta | E Major | 7 | 12B | 132 BPM | ||
| Patta Patta Tinka Tinka - REMASTERED | Ravindra Jain, Satish Dehra, Arun Dangle | B Minor | 7 | 10A | 90 BPM | ||
| Geeta Gyan - Tere Liye Jo Dharm Hai Nishchit | Ravindra Jain | F Minor | 3 | 4A | 99 BPM | ||
| Jo Prem Gali Me Aaye Nahi | Pujya Rajan Ji Official | E♭ Major | 4 | 5B | 75 BPM | ||
| Jin Par Kirpa Ram Kare Vo Paththar Bhi Tir Jate Hain | Ravindra Jain | F♯ Minor | 6 | 11A | 155 BPM | ||
| Babosa Bhagwan Aarti | Babosa Blessings | G Major | 8 | 9B | 160 BPM | ||
| Nirvanstakam | Pujya Bhaishree Rameshbhai Ojha | B♭ Minor | 8 | 3A | 82 BPM | ||
| Tere Dwar Khada Bhagwan | Pradeep | G Minor | 3 | 6A | 116 BPM | ||
| Choti Choti Gayia Chote Chote Gwal | Shridhay Shri Mridul krishna shastri ji maharaj | D♭ Major | 7 | 3B | 112 BPM | ||
| Radhika Gori Se Biraj Ki Chhori Se | Anuja Sinha | E♭ Major | 6 | 5B | 154 BPM | ||
| Karpur Gauram Karunaavtaaram | Nirupama Dey | F Major | 3 | 7B | 120 BPM | ||
| Saja Do Ghar Ko Gulshan Sa - Original | Amit Rajpal | C Major | 4 | 8B | 157 BPM | ||
| Natwar Nagariya | Seema Mishra, Rakesh Kala | F♯ Major | 5 | 2B | 102 BPM |