- BPM
- 92
- Key
- B♭ Major
- Camelot
- 6B
Till Then by Rosa Lamoreaux, Betty Bullock, Jon Nazdin Song Details
Rosa Lamoreaux, Betty Bullock, Jon Nazdin's 'Till Then' had a release date set for December 23, 2015. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Till Then's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Oh, So Nice". In this album, this song's track order is #14. In terms of popularity, Till Then is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
With Till Then by Rosa Lamoreaux, Betty Bullock, Jon Nazdin having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -13.376 dB
- Acousticness
- 95%
- Danceability
- 40%
- Energy
- 14%
- Instrumentalness
- 0%
- Liveness
- 16%
- Loudness
- 78%
- Speechiness
- 5%
- Valence
- 23%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | O victoriosissimi triumphatores | Hildegard von Bingen, Les Flamboyants, Michael Form, Susanne Ansorg, Kelly Landerkin | D♭ Major | 0 | 3B | 77 BPM | |
 | Ad Matutinum: Lectio. Et satis est | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | F Major | 3 | 7B | 137 BPM | |
 | Love Is Here to Stay | Rosa Lamoreaux, Betty Bullock | F Major | 2 | 7B | 174 BPM | |
 | Most Holy mother of God | Ars Poliphonica | F♯ Major | 0 | 2B | 165 BPM | |
 | Gloria et honore | Francisco Guerrero, A5 Vocal Ensemble | F Major | 1 | 7B | 129 BPM | |
 | Silent Cloisters Rejoice | Wonderworker, The Choir of Eparchy of Tripoli | D Minor | 0 | 7A | 68 BPM | |
 | Caelestis | The Sacred Choir | E Minor | 0 | 9A | 82 BPM | |
 | Apostolorum passio, Melodia ambrosiana | Sant'Ambrogio, Concentus Monodicus Schola Gregoriana, Riccardo Zoja, Edoardo Bellotti | D Major | 1 | 10B | 71 BPM | |
 | Mass in B Minor, BWV 232: Kyrie eleison (Chorus) | Johann Sebastian Bach, Tamara Matthews, Rosa Lamoreaux, Marietta Simpson, Frederick Urrey, William Sharp, Daniel Lichti, The Bach Choir Of Bethlehem, The Bach Festival Orchestra, Greg Funfgeld | B Minor | 1 | 10A | 102 BPM | |
 | I Can Cook, Too | Rosa Lamoreaux, Betty Bullock, Jon Nazdin | A Minor | 2 | 8A | 134 BPM | |
 | Rex noster promptus est | Hildegard von Bingen, Karen R. Clark, Vajra Voices, Shira Kammen | A Minor | 1 | 8A | 81 BPM | |
| Ad Matutinum: Responsorium. Qui Deus Magnus | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | |
 | Sheppard: Gaude virgo Christiphera - 6. Laus sit Patri et maiestas | John Sheppard, The Tallis Scholars, Peter Phillips | B♭ Minor | 2 | 3A | 108 BPM | |
 | Facultad organica: No. 23, Tiento sobre la primera parte de la "Batalla de Morales", FO 23 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | E Major | 1 | 12B | 113 BPM | |
 | Lux Aeterna | Cathedral Choir, The Cathedral Singers | F♯ Major | 0 | 2B | 165 BPM | |
 | Chichester Psalms : I. Maestoso ma energico (Psalms 108:2; 100) | Leonard Bernstein, The Bach Choir Of Bethlehem, Benjamin Butterfield, William Sharp, Daniel Taylor, Rosa Lamoreaux, Greg Funfgeld | F Major | 3 | 7B | 117 BPM | |
 | Zanjareli Louso Mayr - Magnificat (mode 5) | Goussan Aljanian | C Major | 2 | 8B | 98 BPM | |
 | Missa de angelis: I. Kyrie eléison | Ensemble Venance Fortunat, Anne-Marie Deschamps | F Major | 0 | 7B | 105 BPM | |
 | Idiómelon from Matins for the Sunday of the Pharisee and the Publican (Arr. I. Arvanitis) | Kassianí, Alexander Lingas, Cappella Romana | F Major | 2 | 7B | 140 BPM | |
 | Graduale: Christus factus est | Marek Klein | D Major | 0 | 10B | 75 BPM | |
 | Ave spes nostra | Thuz Osvat, Choeur des Moniales de Pecs | F Major | 2 | 7B | 96 BPM | |
 | L'aspido sordo | Donato da Cascia, La Reverdie | C Major | 1 | 8B | 88 BPM | |
 | Berlioz: Messe Solennelle, H 20: III. Gloria | Hector Berlioz, Rosa Lamoreaux, Gene Tucker, Washington National Cathedral Choral Society, Terry Cook, J. Reilly Lewis | E Major | 2 | 12B | 97 BPM | |
| Antiphona: Gratias tibi Deus | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | |
 | Divine Liturgy: "Only Begotten Son" | Choir of the Monks of Chevetogne | A♭ Minor | 1 | 1A | 84 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records