"Physical Liaison" by Clint Mansell had its release date on 2012. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Physical Liaison's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Clint Mansell's "Last Night (Original Motion Picture Soundtrack)" album is number 6 out of 7. On top of that, United States appears to be the country where this track was created. In terms of popularity, Physical Liaison is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Physical Liaison by Clint Mansell to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Making A List | A.C. Newman | A Major | 2 | 11B | 77 BPM | ||
| Molly's Journey | Daniel Pemberton | D Major | 4 | 10B | 120 BPM | ||
| Ode | Nils Frahm | F Major | 0 | 7B | 134 BPM | ||
| Rather Lovely Thing | Nick Cave & Warren Ellis | C Minor | 4 | 5A | 149 BPM | ||
| Come With Nothings | Helios | D♭ Major | 3 | 3B | 140 BPM | ||
| Like Home | Trent Reznor and Atticus Ross | D Major | 1 | 10B | 69 BPM | ||
| Falling Off A Bicycle Plus | Cliff Martinez | D Minor | 0 | 7A | 76 BPM | ||
| Havelock | Goldmund | B Minor | 0 | 10A | 139 BPM | ||
| Diary of Love (From "The End of the Affair") [Arr. for Solo Piano] | Michael Nyman, Ksenia Bashmet | A Major | 0 | 11B | 65 BPM | ||
| The Swimmer | Phil France | B Major | 1 | 1B | 120 BPM | ||
| Stopping on the Broadway Bridge | Peter Broderick | G Major | 2 | 9B | 179 BPM | ||
| Death Is a Disease | Clint Mansell | A Minor | 2 | 8A | 113 BPM | ||
| Erased Duet | Valgeir Sigurðsson | A Minor | 2 | 8A | 121 BPM | ||
| Splitscreen - A Love Story | Lennert Busch | A Minor | 0 | 8A | 140 BPM | ||
| Utopia | Cylis | C Major | 1 | 8B | 57 BPM | ||
| The Beach | Nick Cave & Warren Ellis | E♭ Major | 1 | 5B | 53 BPM | ||
| Good Luck | Nima Fakhrara | A Minor | 2 | 8A | 93 BPM | ||
| What If We Could? | Trent Reznor and Atticus Ross | A Minor | 1 | 8A | 140 BPM | ||
| A Summer By The Sea I | Library Tapes, Julia Kent | D Major | 1 | 10B | 69 BPM | ||
| Physical Liaison | Clint Mansell | A Major | 1 | 11B | 117 BPM | ||
| Why Do You Cry? | Angelo Badalamenti | D Minor | 1 | 7A | 64 BPM | ||
| Out | Ben Salisbury, Geoff Barrow | B Minor | 1 | 10A | 99 BPM | ||
| Time To Run, Time To Drive | Warren Ellis | B♭ Major | 3 | 6B | 132 BPM | ||
| Hold | Teen Daze | E♭ Minor | 5 | 2A | 105 BPM | ||
| Negative Capability (feat. Abbie Cornish & Ben Whishaw) | Mark Bradshaw, Abbie Cornish, Ben Whishaw | G Major | 2 | 9B | 70 BPM |