Michael Haydn, Choir of Gonville & Caius College, Cambridge, Academy of Ancient Music, Matthew Martin's 'Requiem in C Minor, MH 155 "Pro defuncto Archiepiscopo Sigismundo": V. Sanctus' had a release date set for October 3, 2025. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michael Haydn, Choir of Gonville & Caius College, Cambridge, Academy of Ancient Music, Matthew Martin's "Michael Haydn: Requiem Pro defuncto Archiepiscopo Sigismundo & Missa Sancti Hieronymi" album is number 5 out of 18. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Requiem in C Minor, MH 155 "Pro defuncto Archiepiscopo Sigismundo": V. Sanctus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in C Minor, MH 155 "Pro defuncto Archiepiscopo Sigismundo": V. Sanctus by Michael Haydn, Choir of Gonville & Caius College, Cambridge, Academy of Ancient Music, Matthew Martin to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Begräbnisgesang, Op. 13 | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E♭ Major | 0 | 5B | 63 BPM | ||
| Symphony in D Major, Bryan D2: I. Allegro | Johann Baptist Vanhal, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 128 BPM | ||
| Pastoral Mass in G Major, Op. 24: IV. Sanctus | Karl Kempter, Augsburger Domsingknaben, Reinhard Kammler | E♭ Major | 0 | 5B | 131 BPM | ||
| Pastoral Mass in G Major, Op. 24: II. Gloria | Karl Kempter, Augsburger Domsingknaben, Residenz-Kammerorchester München, Reinhard Kammler | F♯ Major | 2 | 2B | 78 BPM | ||
| Grande Messe des Morts: XVII. Sequentia: Pie Jesu - Amen: Andante | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | G Minor | 1 | 6A | 123 BPM | ||
| Te Deum In C Major - Hob. XXIIIc:2: "Te Deum laudamus" Allegro | Franz Joseph Haydn, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | C Major | 3 | 8B | 112 BPM | ||
| Misatango, Misa a Buenos Aires: XII. Pleni sunt coeli et terra | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | G Minor | 2 | 6A | 70 BPM | ||
| Alceste, Wq. 44 (Excerpts): Vivez, aimez des jours | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Nicolai Gedda, Robert Gambill | A Major | 1 | 11B | 64 BPM | ||
| Requiem in C Minor, MH 155: III. Offertorium: Domine Jesu Christe | Michael Haydn, Carolyn Sampson, Hilary Summers, James Gilchrist, Peter Harvey, Choir of The King's Consort, The King's Consort, Robert King | G Minor | 2 | 6A | 144 BPM | ||
| Missa Circumcisionis, ZWV 11: Cum Sancto Spiritu | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | E Major | 1 | 12B | 103 BPM | ||
| Miserere, ZWV 57: II. Miserere II | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | E♭ Major | 1 | 5B | 168 BPM | ||
| Das Sühnopfer des neuen Bundes, Pt. 1: No. 3, Da nun Jesus war zu Bethanien | Carl Loewe, Monika Mauch, L'Arpa Festante Baroque Orchestra, Thomas Gropper | E♭ Major | 1 | 5B | 168 BPM | ||
| Gloria, FP 177: VI. Qui sedes ad dexteram Patris | Francis Poulenc, Britten Sinfonia, Polyphony, The Choir Of Trinity College, Cambridge, Susan Gritton, Stephen Layton | G Major | 2 | 9B | 81 BPM | ||
| Mozart: Mass No. 15 in C Major, K. 317, "Coronation": V. Benedictus | Wolfgang Amadeus Mozart, Laurence Equilbey, Sandrine Piau, Renata Pokupić, Benjamin Bruns, Andreas Wolf, Insula Orchestra | G Major | 1 | 9B | 100 BPM | ||
| Pastoral Mass in G Major, Op. 24: III. Credo | Karl Kempter, Augsburger Domsingknaben, Reinhard Kammler | G Major | 1 | 9B | 145 BPM | ||
| Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (c) Allegro assai. "Freude, Freude!" - | Ludwig van Beethoven, Herbert von Karajan, Chor der Gesellschaft der Musikfreunde Wien, Elisabeth Schwarzkopf, Ernst Haefliger, Marga Höffgen, Otto Edelmann, Philharmonia Orchestra | D Major | 2 | 10B | 113 BPM | ||
| Tilge, Höchster, meine Sünden, BWV 1083: Missetaten, die mich drucken (Soprano, Alto) | Johann Sebastian Bach, Christiane Oelze, Birgit Remmert, Bach-Collegium Stuttgart, Helmuth Rilling | G Minor | 1 | 6A | 48 BPM | ||
| Missa in D-Dur, KV194: Benedictus | Chor und Orchester von St. Augustin, Cornelia Horak, Klemens Sander, Martina Steffl, Andreas Pixner, Alexander Kaimbacher | D Major | 1 | 10B | 114 BPM | ||
| Hamburg Symphony No. 6 in E Major, Wq. 182: I. Allegro di molto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
| Missa pro defuncto Archiepiscopo Sigismundo, MH 154: Requiem aeternam | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | D Major | 2 | 10B | 107 BPM | ||
| Missa brevis in G KV49: Agnus Dei | Wolfgang Amadeus Mozart, Peter Neumann/Kölner Kammerchor/Collegium Cartusianum Köln/Franz-Josef Selig, Collegium Cartusianum | C Major | 2 | 8B | 117 BPM | ||
| Requiem: Requiem: XIII. 12. Coro. Lacrimosa | Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | C Major | 2 | 8B | 77 BPM | ||
| Das Sühnopfer des neuen Bundes, Pt. 1: No. 7, Larghetto con moto | Carl Loewe, L'Arpa Festante Baroque Orchestra, Thomas Gropper | G Major | 0 | 9B | 74 BPM | ||
| Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Gloria: Gloria in excelsis Deo | Franz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | D Major | 3 | 10B | 126 BPM | ||
| Requiem: III. Domine | Anton Bruckner, Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy Janssens | A Major | 2 | 11B | 88 BPM |