"Sound and Simplicity: I. Rain" by Poul Ruders, Bjarke Mogensen, Odense Symfoniorkester, Sebastian Lang-Lessing had its release date on March 19, 2021. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 10 in Dream Catcher by Poul Ruders, Bjarke Mogensen, Odense Symfoniorkester, Sebastian Lang-Lessing, Scott Yoo. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Sound and Simplicity: I. Rain is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sound and Simplicity: I. Rain by Poul Ruders, Bjarke Mogensen, Odense Symfoniorkester, Sebastian Lang-Lessing is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brian: Symphony No. 7 in C Major: I. Allegro moderato | Havergal Brian, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | D♭ Major | 0 | 3B | 81 BPM | ||
| Concept | Aurelio Scotto | G Major | 0 | 9B | 74 BPM | ||
| String Quartet No. 1 in D Major, Op. 25: I. Andante Sostenuto - Allegro Vivo | Benjamin Britten, Barbican Quartet | D♭ Major | 0 | 3B | 81 BPM | ||
| Piano Quintet No. 2 "Transience Patterns": I. Prelude | Jim Aitchison, Roderick Chadwick, Kreutzer Quartet | D♭ Major | 0 | 3B | 81 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 2: Introduction | Edward Elgar, The Orchestra Of Opera North, Martyn Brabbins | D♭ Major | 0 | 3B | 81 BPM | ||
| Stabat Mater, FP 148: 11. Inflammatus et accensus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A♭ Minor | 2 | 1A | 86 BPM | ||
| Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | ||
| Altar de Viento: IV. Tornado | Gabriela Ortiz, Orquesta Sinfónica de Heredia, Alejandro Escuer, Eddie Mora | C Minor | 3 | 5A | 132 BPM | ||
| Petite messe solennelle: XVIII. Agnus Dei | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, José Maria Lo Monaco, Francesco Corti, Cristiano Gaudio, Deniel Perer | D Major | 1 | 10B | 91 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 10, Proficiscere, anima Christiana (The Priest) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, James Platt | D Major | 2 | 10B | 86 BPM | ||
| III. Allegro comodo — Allegro deciso | Allan Pettersson, Christian Lindberg, Norrköping Symphony Orchestra | D♭ Major | 0 | 3B | 81 BPM | ||
| Messa di gloria, SC 6: IIIc. Credo. Crucifixus - Live | Giacomo Puccini, Bavarian Radio Chorus, Munich Radio Orchestra, Ivan Repušić | C Minor | 1 | 5A | 77 BPM | ||
| Melandru's Calm | Jeremy Soule | D♭ Major | 0 | 3B | 81 BPM | ||
| Tríptico A(marillo) | Renato Di Prinzio, Renato Pedro Di Prinzio | A Major | 2 | 11B | 94 BPM | ||
| Tjenerindens Fortaelling (the Handmaid's Tale), the Red Centre Prelude, Scene 5: Graduation in the Assembly Hall [Lydia, Aunts, Handmaids] | Poul Ruders, Marianne Rorholm, Hanne Fischer, Poul Elming, Ulla Kudsk-Jensen, Anne Margrethe Dahl, Djina Mai-Mai, Lise-Lotte Nielsen, Annita Wadsholt, Susanne Resmark, Kari Hamnoy, Aage Haugland, Gert Henning-Jensen, Elsebeth Lund, Pia Hansen, Bengt-Ola M | B♭ Major | 1 | 6B | 104 BPM | ||
| Emily — No Prisoner Be: No. 12, I tie my Hat - I crease my Shawl | Kevin Puts, Time For Three, Joyce DiDonato | D♭ Major | 0 | 3B | 81 BPM | ||
| Sept chansons pour Gladys, Op. 151: No. 1, M'a dit Amour | Charles Koechlin, Julie Roset, Susan Manoff | A Minor | 1 | 8A | 100 BPM | ||
| Die erste Walpurgisnacht, Op. 60: Ouverture: Der Ubergang zum Fruhling | Felix Mendelssohn, Kurt Masur, Leipzig Gewandhaus Orchestra | E♭ Major | 0 | 5B | 58 BPM | ||
| Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM | ||
| Roman Festivals: I. Circenses | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli, Johannes Geffert | D♭ Major | 1 | 3B | 135 BPM | ||
| Elegie I. In Memoriam: Adagio | Lodewijk Mortelmans, Belgian Radio and Television Philharmonic Orchestra, Silveer Vandenbroeck | E♭ Major | 0 | 5B | 77 BPM | ||
| Symphony No. 1 in F Minor, Op. 10: III. Lento | Dmitri Shostakovich, Michael Sanderling, Dresdner Philharmonie | D♭ Major | 0 | 3B | 80 BPM | ||
| Schrödinger's Cat: No. 9, Canon IX | Poul Ruders, Amalia Hall, David Starobin | D Major | 0 | 10B | 134 BPM | ||
| The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | ||
| Stabat mater, op.58: 5. Coro "Tui nati vulnerati" | Antonín Dvořák, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe Sinopoli | D Major | 1 | 10B | 147 BPM |