On December 1, 1944, the song "Ab Ham Jaye Kiske Dwar" was released by Lalita Parulekar. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Ab Ham Jaye Kiske Dwar's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in A. R. Qureshi, Alla Rakha's "Maa Baap (Original Motion Picture Soundtrack)" album is number 2 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Ab Ham Jaye Kiske Dwar's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Ab Ham Jaye Kiske Dwar by Lalita Parulekar to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ab Ke Sawan Sajjan Ghar Aaja | Iqbal Bano | A Major | 5 | 11B | 101 BPM | ||
| Mere Bhole Balam | Kishore Kumar, R. D. Burman | G Major | 4 | 9B | 159 BPM | ||
| Chhalke Ras Ki Gagariya Sari | Wahidan Bai, Anil Biswas | D Major | 3 | 10B | 101 BPM | ||
| Ummeed Kya Ho Geet Ki Jab | Ranee, Laxmi, Raj, Pt. Madhur | B Major | 2 | 1B | 79 BPM | ||
| Nain Tore Matwale Sajaniya | Ramdulari, Sunder Singh | E Major | 6 | 12B | 172 BPM | ||
| Dake Loke Amake Clown | Kishore Kumar | G Minor | 3 | 6A | 112 BPM | ||
| Shyam Chanda Hain Shyama Chakori | The Bundeli Artists | E♭ Major | 7 | 5B | 102 BPM | ||
| Hai Char Din Ki Duniya | Hemant Kumar | A♭ Major | 3 | 4B | 111 BPM | ||
| Santoor | Shivkumar Sharma | B Minor | 3 | 10A | 136 BPM | ||
| Dheere Dheere | Zoheb Hassan | C Minor | 5 | 5A | 118 BPM | ||
| Naya Zamana Aaya Logon | Arun Kumar, Pradeep | C Major | 9 | 8B | 110 BPM | ||
| Baazi Tu Kardi | Ahmad Zahir | A♭ Major | 8 | 4B | 104 BPM | ||
| Main Nafrat Karti Rahti Hoon Unse | Shanta Apte, Pahari Sanyal | A Minor | 2 | 8A | 84 BPM | ||
| Mere Bichhade Hue Saathi | Pradeep | D Major | 2 | 10B | 128 BPM | ||
| Humne Suna Tha Ek Hai Bharat | Asha Bhosle, Sudha Malhotra, Mohammed Rafi | F Minor | 3 | 4A | 79 BPM | ||
| Mere Chhail Chhabile Romeo | Sm. Kaushalya, Rami, Romeo | A Minor | 4 | 8A | 129 BPM | ||
| Ya Kundendu Tushar Hara Dhavala - Saraswati Mantra (Episode 2) (From "Baal Kaand") | Ravindra Jain | A Minor | 6 | 8A | 95 BPM | ||
| Radha Dhar Madhu Milind | Ramdas Kamat | G Minor | 7 | 6A | 116 BPM | ||
| Roye Maan Gate Bande Ka | Master Satbeer Singh | F Minor | 7 | 4A | 167 BPM | ||
| Raghupati Raghav Raja Ram | Mahendra Kapoor, Manhar Udhas, Kalyanji-Anandji | C Major | 3 | 8B | 86 BPM | ||
| Aa Gupchup Gupchup Pyar Karen | Hemant Kumar, Sandhya Mukherjee, S. D. Burman | C Minor | 3 | 5A | 135 BPM | ||
| Tera Ho Gaya | Emraan Hashmi | C Major | 4 | 8B | 68 BPM | ||
| Tere Aage Bolna | Mohammed Rafi | D♭ Major | 2 | 3B | 179 BPM | ||
| Aadhi Raat Ko Khanak Gaya Mera | Lata Mangeshkar, Mohammed Rafi | G Minor | 2 | 6A | 134 BPM | ||
| Apni Akal Paas | Karampal Sharma | F♯ Major | 4 | 2B | 117 BPM |