Thomas Koschat, Craig Jessop, The Tabernacle Choir at Temple Square, Orchestra at Temple Square's 'The Lord is My Shepherd (Arr. B. Bradford)' had a release date set for October 23, 2001. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "The Sound of Glory". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. The popularity of The Lord is My Shepherd (Arr. B. Bradford) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Lord is My Shepherd (Arr. B. Bradford) by Thomas Koschat, Craig Jessop, The Tabernacle Choir at Temple Square, Orchestra at Temple Square having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Serenade in C Major for Strings, Op. 48, TH 48: II. Waltz - Moderato | Pyotr Ilyich Tchaikovsky, Charles Münch, Boston Symphony Orchestra | E Minor | 3 | 9A | 101 BPM | ||
| Sunset Waltz - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | E♭ Major | 2 | 5B | 168 BPM | ||
| Bombones de Viena | George Henkla | F Major | 2 | 7B | 182 BPM | ||
| Finale II. - Motiv II. | Czech National Symphony Orchestra, Jan Chalupecky | E Major | 5 | 12B | 136 BPM | ||
| Gianni Schicchi: O mio babbino caro (Arr. C. Leon for Violin & Orchestra) | Giacomo Puccini, Joshua Bell, Michael Stern | D♭ Major | 2 | 3B | 121 BPM | ||
| Frühlingsstimmen-Walzer Op.410 (Voices Of Spring, Waltz) | Ricci Ferra | B♭ Major | 3 | 6B | 95 BPM | ||
| Trisch Trasch Polka | Wiener Symphoniker | A Major | 6 | 11B | 80 BPM | ||
| Pomone, Op. 155 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | E♭ Major | 2 | 5B | 183 BPM | ||
| The Penny-Whistle Song | Leroy Anderson, WDR Rundfunkorchester Köln, Pinchas Steinberg | G Major | 2 | 9B | 86 BPM | ||
| Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | ||
| Die Tanzerin, Polka francaise, Op. 227 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 2 | 5B | 173 BPM | ||
| La bohème: Quando me'n vo' | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | A Minor | 3 | 8A | 77 BPM | ||
| Phonix, Op. 105: Phonix-Marsch, Op. 105 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 5 | 5B | 108 BPM | ||
| A Busserl vom Dirnderl - Arr. for Horn Quartet | Thomas Koschat, Günter Högner, Willibald Janezic, Franz Söllner, Karl Jeitler | G Major | 0 | 9B | 75 BPM | ||
| Donausagen, Op. 446 | Carl Michael Ziehrer, Robert Stolz | G Major | 3 | 9B | 88 BPM | ||
| Fantasia on Greensleeves | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 89 BPM | ||
| Marcha Radetzky | George Henkla | A Major | 5 | 11B | 113 BPM | ||
| Feuerfestpolka | Johann Strauss, Caffè Concerto Strauss, Cristian Pintilie | D Major | 3 | 10B | 101 BPM | ||
| Tchaikovsky: Swan Lake, Op. 20, Act I: No. 2, Waltz | Pyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia Orchestra | E♭ Major | 2 | 5B | 111 BPM | ||
| Bombones de Viena Op. 307 | Gran Orquesta Vienesa | F Major | 3 | 7B | 187 BPM | ||
| Roses From The South | Johann Sebastian Strauss, London Festival Orchestra | B♭ Major | 3 | 6B | 99 BPM | ||
| Jeu d'Esprit, Polka, Op. 196 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 4 | 10B | 174 BPM | ||
| Zar und Zimmermann, LoWV 38 / Act 3: Ballett (Holzschuhtanz) | Albert Lortzing, Bamberg Symphony, Hans Gierster | E♭ Major | 2 | 5B | 189 BPM | ||
| Lara´s Theme - Aus dem Film Dr. Schiwago | Milo Pavlovic | C Major | 3 | 8B | 92 BPM | ||
| The Westminster Waltz | Robert Farnon, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 1 | 10B | 62 BPM |