"Serenade in C Major for Strings, Op. 48, TH 48: II. Waltz - Moderato" by Pyotr Ilyich Tchaikovsky, Charles Münch, Boston Symphony Orchestra had its release date on June 6, 2025. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in "Sérénade" - Tchaikovsky Masterpieces, so we believe that "Serenade in C Major for Strings, Op. 48, TH 48: II. Waltz - Moderato" is a single. In terms of popularity, Serenade in C Major for Strings, Op. 48, TH 48: II. Waltz - Moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Serenade in C Major for Strings, Op. 48, TH 48: II. Waltz - Moderato by Pyotr Ilyich Tchaikovsky, Charles Münch, Boston Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aquarellen, Op. 258 | Josef Strauss, Franz Welser-Möst, Wiener Philharmoniker | C Major | 1 | 8B | 100 BPM | ||
| Giselle / Act 1: No. 7 Marche des vignerons | Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 114 BPM | ||
| Wiener Blut: Overture: Wiener Blut (Vienna Blood), Op. 354 | Strauss Festival Orchestra, Johann Strauss II | C Major | 1 | 8B | 178 BPM | ||
| Tchaikovsky: Eugene Onegin, Op. 24, Act 2: Waltz | Pyotr Ilyich Tchaikovsky, Orchestre Philharmonique de Radio France, Paavo Järvi | G Major | 2 | 9B | 131 BPM | ||
| Fächer - polonaise Op. 525 - Arr. Max Schoenherr | Carl Michael Ziehrer, Wiener Philharmoniker, John Eliot Gardiner | D Major | 3 | 10B | 93 BPM | ||
| Musetta's Waltz Song (La Boheme) | Geoff Love & His Orchestra | E Major | 1 | 12B | 86 BPM | ||
| Die Fledermaus: Overture | Johann Strauss II, Friedrich Haider, WDR Rundfunkorchester Köln | B Minor | 1 | 10A | 99 BPM | ||
| Sarasate: Carmen Concert Fantasy, Op. 25: III. Lento assai | Pablo de Sarasate, Sarah Chang, Plácido Domingo, Berliner Philharmoniker | C Major | 0 | 8B | 39 BPM | ||
| Raymonda, Act III: Grand Pas de Deux, Pas Classique Hongrois | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | F Minor | 0 | 4A | 82 BPM | ||
| La source, ou Naila: Suite No. 3: La Source: Intermezzo (Pas des Fleurs, Grande Valse) | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 125 BPM | ||
| Giselle, Act II: No. 11, Apparition de Giselle | Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 82 BPM | ||
| Prelude from La Traviata | George Carlaw | A♭ Major | 1 | 4B | 82 BPM | ||
| Sirenen Lieder, Polka mazur, Op. 13 (Arr. for Orchestra by Wolfgang Dörner) | Josephine Weinlich, Wiener Philharmoniker, Yannick Nézet-Séguin | E♭ Major | 1 | 5B | 95 BPM | ||
| Isabella: Ouvertüre | Franz von Suppé, Franz Welser-Möst, Wiener Philharmoniker | D Major | 3 | 10B | 102 BPM | ||
| Strauss, Josef: Geheime Anziehungskräfte, Op. 173 | Josef Strauss, Rudolf Kempe, Wiener Philharmoniker | E Major | 1 | 12B | 144 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | ||
| Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 0 | 7B | 74 BPM | ||
| Knall und Fall, Polka schnell, Op. 132 | Eduard Strauss, Andris Nelsons, Wiener Philharmoniker | G Major | 6 | 9B | 179 BPM | ||
| Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
| 5 Military Marches, Op. 39, "Pomp and Circumstance": No. 5 in C Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | C Major | 2 | 8B | 102 BPM | ||
| Wiener Bürger, Walzer, Op. 419 | Carl Michael Ziehrer, Mariss Jansons, Wiener Philharmoniker | C Major | 2 | 8B | 104 BPM | ||
| Soirées musicales, Op. 9: II. Canzonetta | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | C Major | 1 | 8B | 94 BPM | ||
| New World Suite (Reconstructed by A. Walker): IX. Berceuse | Ignatz Waghalter, State Symphony Orchestra "Novaya Rossiya", Alexander Walker | E♭ Major | 1 | 5B | 130 BPM | ||
| Kinderszenen, Op. 15: No. 7, Träumerei (Arr. for Violin and Orchestra) | Robert Schumann, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 93 BPM | ||
| Von Suppé: Ein Morgen, ein Mittag, ein Abend in Wien: Overture | Franz von Suppé, Wiener Philharmoniker, Riccardo Muti | F Major | 2 | 7B | 79 BPM |